NASA’s Fake Hollywood Space Cadets

NASA’s Fake Hollywood Space Cadets

The historical veracity attached to the “official” story of “Yuri Gagarin” – uniformly alleged by the MSM and published historical accounts to have been the first human in space – crumbles under greater scrutiny.

Reportedly, before the historic launch of NASA’s Apollo 11, Gagarin died under what can only be described as mysterious circumstances.

There was a very good reason, however, as to why the pioneering Russian cosmonaut’s “death” was kept shrouded in such mystery and intrigue by the MSM.

Turns out, upon further investigation – as confirmed via extensive ear biometric, facial recognition, and image comparison analyses – “Yuri Gagarin”, pronounced as tragically “dead” before Apollo’s maiden but mythical voyage, was resurrected in 1969 as one of NASA’s Apollo 11 “astronauts”, and became the first human alleged to have stepped on the surface of the moon.

Below L to R: Yuri Gagarin, Neil Armstrong

As to the genuine identity of the other pair of NASA’s Apollo 11 “astronauts” alleged to have been launched into space in 1969, further investigation confirms, “Buzz Aldrin” and “Michael Collins” were both fabricated character schemes portrayed by Hollywood actors.

The Hollywood actor identified in portrayal of the former – “Buzz Aldrin” – had previously worked with Stanley Kubrick, one of Hollywood’s most highly touted cinema directors.

While acting under different but renowned pseudonyms, the Hollywood actor identified in portrayal of arguably the least heralded of NASA’s Apollo 11 “astronauts” – “Michael Collins” – went on to star with Dennis Hopper (AKA JFK) in Easy Rider and to star with Burt Reynolds (AKA Marlon Brando/television doctor Phil McGraw/television actor Dabney Coleman/Vladimir Putin) in Deliverance.

As was pointed out in a previously published article, “Doctor Phil McGraw” is also the hidden father of popular internet personality/podcaster Del Bigtree (AKA Quentin Anderson Reynolds/John Wayne Bobbitt/Doctor Drew Pinsky/Kevin Spacey/Jeff Bezos).

SEE: Del’s Big Tree Bears Rotten Fruit

Below from L to R: Buzz Aldrin, Michael Collins

As everyone shall soon learn, “Buzz Aldrin” and his NASA colleague “Michael Collins” never left earth in 1969. Their interplanetary communications, which the MSM alleges were sent from the Apollo space craft on the moon to NASA’s mission control, including the famous words spoken by “Neil Armstrong” in a solemn tone of overwrought melodrama – “One small step for man, one giant leap for mankind” – were prerecorded for what was essentially a prime-time television production, the equivalent of 21st century “reality” television.

Though still unknown to a majority of the American public, NASA operates under the umbrella of the US Department of Defense and is nothing more than a Hollywood-styled movie/television production studio disguised as an organization dedicated to astronomical study and scientific discovery.

Since the time of its inception and for its entire duration, Hollywood has covertly operated as a purveying agent of US corporate government propaganda, and has always worked in proximity with the US military/industrial complex and performed at the dictatorial behest of Jesuit controlled CIA.

Therefore, the genuine nature of NASA is synonymous with that of Hollywood, with both operating as propaganda arms and subsidiary divisions of the US Department of Defense.

Continue reading “NASA’s Fake Hollywood Space Cadets”

Marlon Brando: Godfather of Hollywood chameleons? (Part II)

Marlon Brando: Godfather of Hollywood chameleons? (Part II)

Before delving into this installment’s main topic, one would like to address the most recent spate of propaganda proffered by the MSM regarding the alleged forest fires in California. This event happens to tie-in with one’s research into Marlon Brando which in turn, led straight to the family of America’s most powerful merchant bankers, the Rockefellers.

Therefore, in accurately casting a single proverbial stone, as it were, one shall proceed in killing a pair of very suspect fowls.

Like everything broadcasted by the MSM, the recent fires occurring near Thousand Oaks, in remote Paradise, California, represented yet another psychological operation’s dramatic illustration, purely designed to serve an overarching agenda.

That the so-called journalists employed by the MSM are nothing more than purveyors of government spun propaganda should not, at this juncture, come as a surprise to one’s loyal readers, nor to anyone with at least a miniscule portion of either brain’s hemisphere still critically functioning.

However, it is not so much what the MSM reports that remains particularly noteworthy.

Rather, like California’s governor Jerry Brown, what is noteworthy is how often they lie by omission. Unfortunately however, such a sinister practice has always served as standard procedure for those serving in any official government capacity. Avoiding specifics allows, both legally and politically, for a great measure of plausible deniability. Framing the issues in vague generalities also facilitates the ability to either spin, misdirect, or further obfuscate when expedient.

Before moving on to Mister Brando AKA Burt Reynolds, the first portion of this installment shall include footage from the California governor’s recent press conference and, a brief analysis of what he may have unwittingly implied regarding the state’s response to the forest fires.

Needless to say, as with most politicians, when it comes to digging out the kernels of truth from their waste heaps of political propaganda, one must never be found reticent in choosing to sully one’s metaphorical hands. One shall also take note, that during the press conference, California governor Jerry Brown speaks in the vaguest of generalities. However, in doing so, he nonetheless manages to completely give the game away when, several times, he obliquely alludes to specifics relating to population control methodologies enumerated within the UN’s globally mandated Agenda 21.

As for the main topic of this installment, it turns out the theme of a Hollywood movie production from the 1970’s, in which Burt Reynolds AKA Marlon Brando starred, happens to exist as one of the earliest examples of predictive programming for the future public onslaught of Agenda 21 propaganda. This is a globally mandated agenda which has a connection to the Rockefellers, America’s prominent family of seemingly ubiquitous merchant bankers.

More than this, one shall endeavor to definitively demonstrate that one of Brando’s fellow cast members in this Hollywood production also has a surprisingly direct connection to Hollywood icon, Jack Nicholson. Continue reading “Marlon Brando: Godfather of Hollywood chameleons? (Part II)”