Blinken State Department’s Man in Black

Names, faces, and personas can be modified but the actors behind the disguises seem to never change.

Then again, most high-level US corporate government officials, as well as those in other countries, have proved to be actors following scripts.

The following video clip represents a dramatic illustration. Everyone will immediately recognize the content of the speeches given by both the Canadian and British politicians appear identical and to have been derived from a centralized source.

https://153news.net/watch_video.php?v=B8Y619DU2YY2

However, most of these actors are rarely privy to the nuances of the policymaking process. Nor, despite appearances to the contrary, do most of them possess the intellectual capacity to explain in detail the intricate nuances of the government policies they have been charged with selling to the public.

Assuredly, if and when pressured to go beyond the limitations of their individual scripts, most would fumble and proceed to embarrassingly fold like a cheap suit.

Why should this be so?

Because even though some of the most trusted and even talented intelligence trained assets who often appear on television may be counted among the exclusive membership of the Council on Foreign Relations and other Jesuit-controlled think tanks, policymaking groups, Senate and Congressional committees, the actor’s knowledge is often highly compartmentalized.

More often than not, the actor only knows what they need to know to perform the functions of the job they’ve been tasked with.

Through the force of their fabricated personas while regurgitating assigned “talking points” and staying “on message”, the actor’s chief objective is to effectively sell government policies to the general public. The emanations of government policy derive, not from the minds of public figures, but from Jesuit-controlled Vatican City, the Crown Temple located in the City of London, and from the Swiss banking consortium which includes the IMF (International Monetary Fund) and the World Bank.

Then, through consensus, public private partnerships cemented by mutual self-interests – between NGO’s (Non-Government Organizations), Fortune 500 corporations, non-profit organizations and private foundations, and the US corporate government – conspire to execute centrally controlled global policies (ideas), molding them into solid material reality.

Though the public has been conditioned to perceive otherwise, the aforementioned elements do indeed conspire together. Contrary to the opinion of many, there exists no supernatural influence guiding this intricate process. Time and again, analyses based on extensive research demonstrates, those belonging to the thirteen ruling Jesuit bloodlines worship but one God – the hegemonic expansion of global power.

In-depth investigation has also shown, a majority of US presidents, both past and present, possessed genealogical connections to European and British royalty. As well, actors and intelligence-trained assets permeating the three branches of the US corporate government routinely perform under pseudonyms to conceal their genealogical connections either to royalty or to European aristocracy and nobility.

SEE: Royal Duchess Meghan Completely Unmasked

Below: Secretary of State Antony Blinken

The current US Secretary of State – “Antony Blinken” – has proved to be no exception.

The highly skilled actor/entertainer portraying “Antony Blinken” is not only a serial perpetrator of Post-Modern Reality Simulation, but he is also the hidden son of “Madeleine Albright” who served as Secretary of the US Department of State which, for all intents and purposes, is nothing more than a public relations firm to promote and market the covert interests of US corporate government foreign policy.

But as has been illustrated before, the modified actors behind the masks cannot help but give away clues as to their genuine identities and, in the process, also can’t resist mocking the naivete of the general public.

According to Wikipedia, “Anthony Blinken” plays in a band dubbed A Blinken, a play on the name of former US president Abe Lincoln.

The video clip posted below features Antony Blinken’s appearance on the Stephen Colbert late-night talk fest. During the course of the interview, Blinken’s hammy regurgitation of well-rehearsed talking points proves par for the course. As everyone will observe though, at the very end of the clip, “Antony Blinken” performs on guitar, giving us a clue as to the actor/entertainer’s regular line of work.

Continue reading “Blinken State Department’s Man in Black” →

Hidden Lie Behind David Icke’s Truth

Turns out, “David Icke” is not just a famous “conspiracy theorist”, he is also a master purveyor and perpetrator of the phenomenon those who frequent this site have come to know as Post-Modern Reality Simulation.

Back in November of 2021, Twitter executives announced that the account belonging to alternative media kingpin David Icke had been indefinitely if not permanently banned from their social media platform for promulgating what was termed “Covid misinformation”.

SEE: https://www.bbc.com/news/technology-54804240

Then again, it seems, anyone daring to espouse or endeavoring to express a perspective on the COVID-19 “pandemic” which counters or deviates, even slightly, from the established line of insufferable MSM propaganda has been summarily banished from other social media platforms and their posts tagged with the dreadfully identical but rather abstractly vague label.

After all, it has become rather socially unfashionable, perhaps even socially unacceptable, to think for oneself and, amid the prevailing totalitarian social and political climate, no one wants to be considered unfashionable, do they?

With the exception, of course, of those who frequently visit this site, right?

In an article published at bbc.com (AKA MI7), according to a Twitter “spokesman”, “The account referenced {belonging to David Icke} has been permanently suspended for violating Twitter’s rules regarding Covid misinformation.” The article at bbc.com went on to report, perhaps somewhat confusingly, “Twitter’s rules do not include a general ban on misinformation,” but added the caveat, “it would not allow any tweets about Covid-19 that were ‘claims of fact, demonstrably false or misleading, and likely to cause harm’.”

Now who would want to “cause harm” due to free thinking?

Say it isn’t so!

Unmistakably, however, though “David Icke” may wish to pose himself as a martyr for the “truth”, his posturing for sainted martyrdom should never be construed as heroic.

In fact, an extensive investigation has identified “David Icke” as yet another fabricated character scheme portrayed by a host actor (live-action role player) belonging to a family – royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rothschild/Rockefeller) – whose genealogical lineage not only extends back to Charlamagne I, the first emperor of the Holy Roman Empire, but one which, perhaps more than any other family numbered among the thirteen, ruling elite Jesuit families, wholly understands the dramatic effect of heroic martyrdom upon the public and, as well, the commercially profitable utility of staging grand psychological operations.

Turns out, a renowned former American presidential first lady, the mother of the host actor identified in portrayal of the premiere alternative media figure known as “David Icke” was a key participant in one of the most transformative but fabricated historical events of the 20th century, one which, to-this-day, is still speculatively and popularly bandied about.

Continue reading “Hidden Lie Behind David Icke’s Truth” →

Tony Blair’s Hollywood Witch Project

When it comes to considering the influential politicians whom appear on the world’s stage, things are never what they seem. The political machinations the general public witnesses, played out on their television and computer screens, are purely theatrical charades; a well-scripted manifestation of Post-Modern Reality Simulation.

As everyone who regularly visits this site has discovered, when it comes to politics, the major executive decisions, the sweeping geo-political agendas – such as the Covid-19 psychological operation – are made and carefully crafted behind closed doors by those representing and working on behalf of the global commercial interests of the thirteen, ruling elite Jesuit families.

As extensive investigation has revealed, the politicians (blackmailed puppets/freemason intelligence operators) everyone witnesses performing on their television and computer screens, are merely salesman, pitchmen, and high-level influencers, and sworn by solemn oath to the international brotherhood of Freemasons whom, in turn, are controlled by the military order of the Society of Jesus, at the Vatican, in Rome.

Considering the political career of Tony Blair, his turns out to be no exception to this rule.

“Tony Blair”, too, like his hidden mother (Shirley Temple Black), is a controlled operative, and a highly skilled one at that.

L to R: Tony Blair, Charles Alden Black Junior/Shirley Temple Black

Blair, of course, is known to the American and British publics as the former Prime Minister of the United Kingdom.

However, incredible as it may seem – at least among the maiden voyagers to this site – Blair is a fabricated character scheme portrayed by Charles Alden Black Junior, a man who – in addition to the world of politics – also has connections to Hollywood, and to the music/entertainment complex.

Charles Aden Black Junior

L to R: Shirley Temple Black/Charles Alden Black Junior

The chameleon-like Charles Alden Black Junior, the son of former Hollywood child star Shirley Temple Black (AKA Jaclyn Kennedy Onassis/Judy Garland/Marilyn Monroe/Helen Thomas/Queen Silvia of Sweden), not only performs on the world stage as “Tony Blair”, he also portrays one of Hollywood’s most widely renowned celebrities.

SEE: Over the Rainbow & Back in Black

But before the dramatic unveiling of that shocking revelation, everyone – decades ago – may have known the notorious Mister Black in the guise of yet another of his famous fabricated character schemes, “John Taylor”, bass player of the 1980’s MTV pop band Duran Duran.

L to R: John Taylor, Charles Alden Black Junior

Ear biometric, facial recognition, and image comparison analyses also confirms that throughout his career(s), “John Taylor” (AKA Tony Blair/Charles Alden Black Junior) has also been specifically modified to portray the live-action role players of several other famous figures (fabricated character schemes) in the Hollywood music/entertainment industry. Among these: “Steven Tyler” of American classic rock band Aerosmith, the “late” “Freddie Mercury” of pomp rock act Queen, the “late” “Sid Vicious”, the heroin-addicted bass player who performed as part of the short-lived “punk rock” phenomenon the Sex Pistols, and the “late” Chris Cornell, the American rock singer who was alleged to have hung himself from a hotel showerhead.

SEE: Chris Cornell’s Jesus Christ Death Pose

Steven Tyler

Freddie Mercury

Sid Vicious

Chris Cornell

John Taylor

But even deeper investigation has revealed, both of these commercially profitable institutions, the political arena and the Hollywood music/entertainment industry, while serving as experimental crucibles and think-tank laboratories for the execution of psychological operations, are also controlled by the military/industrial/complex, the CIA’s global intelligence octopus and, primarily, in the case of Hollywood, controlled by the Pallavicini, Von Furstenberg, and families genealogically related to the royal House of Saxe-Coburg-Gotha (AKA Windsor/Rockefeller/Rothschild).

It should also be noted, these three families are numbered among the majority shareholders/owners of the US corporation.

Lately – at least to anyone paying attention – “Tony Blair” has emerged, once again, on the world’s stage.

But this time, as an advocate for the success of the ongoing Covid-19 psychological operation and the complete fruition of its covert end game – per the UN’s Agenda 2030 – of globally implementing a crypto-currency (cashless) financial system based on the use of body activity, a blockchain system which will replace mobile “smart phones” as the predominant tracking system of global human resources.

SEE: http://www.globalgovernmentforum.com/pandemic-preparedness-national-security-issue-former-uk-pm-tony-blair/

Continue reading “Tony Blair’s Hollywood Witch Project” →

Over the Rainbow & Back in Black

You perceptions about “reality”, your particular life’s role and, to an even greater extent, your behavioral and psychological responses have, throughout your lifespan, been incrementally programmed due to constant exposure to the mass behavioral modification mechanism known as the MSM (mainstream media).

This has been done to you (person, corporation, debt slave) for the sole benefit of your owners, the thirteen ruling elite Jesuit families, to both bolster their unchallenged monopoly over the means of global economic production and to reinforce their overwhelming political hegemony.

Since its inception and its nearly ubiquitous proliferation in the post-modern age, the electronic media (television, radio, and the internet/social media) has been used as an effective weapon of psychological warfare and – by those belonging to the highest ranks of the Jesuit order, in Rome – wielded quite expertly.

With the help of many of Hollywood’s biggest stars – many of whom, as everyone has discovered, are the descendants of the thirteen ruling elite Jesuit families – the concept of history has also been weaponized to effectively influence, shape, and mold both the social behaviors and political perceptions of the general public.

As most whom frequent this site have incrementally learned, many of those belonging to the thirteen, ruling elite Jesuit families, have hid behind the veil of Hollywood celebrity while starring in popular film productions which – unbeknownst to the public – were secretly produced as pieces of social, political, and, on some occasions, historical propaganda.

After some time in the limelight, and after their stars had dimmed on the silver screen – as it were – some of those counted among Hollywood’s glitterati were transformed into important and even influential historical figures, carefully crafted roles which were meticulously designed to echo into posterity.

Shirley Temple Black – once one of Hollywood’s brightest stars – exists as one such prime example.

Choosing to follow in his mother’s footsteps, Shirley’s son, Charles, represents yet another such example.

Charles Alden Black, it has been proved, not only portrayed the roles of many famous personalities in the music industry – Steven Tyler, Freddie Mercury, Sid Vicious, John Taylor of Duran Duran, and the “late” Chris Cornell – but, like his mother, he also proceeded to take his place on the world’s stage, and became “Tony Blair”, Prime Minister of Britain.

SEE: Tony Blair The Minister of Prime Lies?

Decades ago, during a time in America’s history which, in retrospect, seems long faded into mist, Shirley Temple Black was known as Hollywood’s most luminous child star.

From that time forward, she became a valuable asset of the military/industrial/entertainment complex, and went on to portray roles which would became renowned and even iconic in the annals of American history and American popular culture.

As any police investigator is likely to inform, during the course of an investigation – especially, one which takes place over an elongated term – the list of suspects can alter as more information becomes available.

On this occasion, the compilation of greater and more voluminous information has led to an astonishing series of discoveries, concerning a famous member of a family known to history as the Kennedys.

Additionally – wait for it, folks – a Jesuit cardinal has been discovered among the genealogy of the Bouvier AKA Black family.
Continue reading “Over the Rainbow & Back in Black” →

Let’s “Cruz” in to Post-Modern Reality Simulation

Yes, folks, yet another impostor, posing as a US presidential candidate, has been discovered.

Politicians are the middle-men between the proletariat and the thirteen, ruling elite Jesuit families. Possessing the manufactured demeanor of the used-car salesperson, they emerge into the public realm like fully-formed flesh and blood animated caricatures, and armed with an array of readymade pitches, euphemisms, and buzz words, they effectively proceed to peddle the dubious merits of the social and political agendas du jour to those of the gullible American public.

Their true identities – though their constituencies and the general public often remain unaware – are always found to be hidden behind pseudonyms, while the genuine features of their true visages remain hidden behind carefully-crafted masks, consisting of Hollywood stippling, deceptive camera and lighting angles and, very often, CGI animated modifications.

Though the adoption of such disguises while operating under false pretenses remains unlawful, it is not, however, technically illegal.

Despite the technical legality of their deceptive practices, due to the verification of third parties, these practices remain shrouded, and for good reason. If the true identity of the politicians to which they’ve sworn ideological allegiance were known by the general public, the ruling elites are well-cognizant, everyone would be less likely to vote for them and, even less likely, to place their trust in a political system persisting solely on such blatantly covert deceptions.

Though it is doubtful America’s political system would crumble if the general public were to become aware of the actor/entertainer hidden behind the mask of “Ted Cruz”, on the other hand, they would, there can be no doubt, become less inclined to cast their votes in his favor.

Would you believe, the politician known to America as “Ted Cruz” once made his living in the music recording industry? Continue reading “Let’s “Cruz” in to Post-Modern Reality Simulation” →

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Tag: Shirley Temple Black

Blinken State Department’s Man in Black

Hidden Lie Behind David Icke’s Truth

Tony Blair’s Hollywood Witch Project

Over the Rainbow & Back in Black

Let’s “Cruz” in to Post-Modern Reality Simulation

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