The creation of dramatic tension has always been profitable for premium paying prime-time television advertisers. But both advertisers and television executives alike, have always known and understood, manufactured dramas are largely successful at keeping the public’s attention drawn to their television and computer screens, just long enough to sell them products they don’t need but have nonetheless been psychologically conditioned to believe they must covet and desire for the sake of superficial appearances.
Since the advent of the television medium, both Hollywood executives and Madison Avenue’s corporate advertisers have always been aware that stimulating the public’s covetous desires for unlimited material acquisition while at the same time promoting the illusion known as the “American Dream” can be immeasurably profitable.
After all, the job of corporate salesmen is to separate a majority of fools from what little money they possess.
This could also have something to do with the fact “Karine Jean-Pierre”, the current White House press secretary, has been instructed to maintain her absurd insistence – despite overwhelming empirical evidence to the contrary – the US economy is not in freefall recession while speedily plunging headlong into abysmal depression.
Nevertheless, superficial appearances matter, too, when it comes to considering the deceptive realm of politics.
Which is why the current presidential administration headed by “Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) installed at Pennsylvania Avenue chose Karine Jean-Pierre as its press secretary.
In a way, despite her demonstrated shortcomings, “Karine Jean-Pierre” – purported to be the first ‘woman of color’ and openly LGBTQ person to be appointed White House press secretary – represents the perfect facade the current presidential administration required to insulate themselves from public criticism of their policies.
Regarding “Joe Biden”, the MSM is still laboriously promoting a misleading narrative, that he may be mentally unfit to continue in office, that he is too old and decrepit to withstand another campaign bid for the US presidency.
Rest assured, this is pure bunk, designed to blatantly manipulate and control the perceptions of the American public.
“Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) is an accomplished actor following a scripted plan to implement the UN’s genocidal Agenda 2030/2050, a plan engineered decades ago.
Agenda 2030/2050’s global implementation is dictated from the top down by Crown Temple bankers/esquires in the City of London, Swiss banking consortium principals, and the Superior General of the Jesuit order at Vatican City in Rome.
The ultimate purpose of this ongoing MSM narrative, of course, is to promote the perception that national sovereign governments – as in this case, the US corporate government – aren’t sufficiently equipped to address much less solve manufactured “crises” such as “climate change” or the Covid-19 “pandemic”.
While openly promoting the prevailing narrative “Joe Biden” appears feeble and mentally unfit, the MSM’s ulterior motive is to covertly help solidify the perception that only global governing structures such as the United Nations can step in to solve “global” crises in lieu of sovereign corporate governments.
SEE: The Resurrection of a Chameleon Prince
FDR: America’s Royal Hollywood Fraud
Below: Karine Jean-Pierre
After taking the podium in the White House press room to recite scripted responses written for her in a notebook binder, a rather entertaining, amusing, and ongoing drama between “Karine Jean-Pierre” – touted as the first ‘woman of color’ and the first openly LGBTQ person to be named White House press secretary – and the FOX (666) News White House correspondent known as “Peter Doocy” soon developed.
Below: Peter Doocy
But some Americans – at least those with memories still functioning at nominal levels – have observed these pair of actors, one of which has an acting resume with connections to Disney, playing out scripted roles in similarly manufactured television dramas before.