Columbo & NFL Enter the Twilight Zone

Yes, everyone read that title correctly.

Once again, you’re about to enter the twilight zone of Post-Modern Reality Simulation.

Ordinarily, no one would expect there to be connections between classic television shows such as The Twilight Zone, Columbo, and a legendary NFL football coach.

But as everyone who frequents this site has surely learned – though the majority have been psychologically conditioned since birth to believe otherwise – we’re not living in an ordinary world.

Screenwriter, playwright, television and narration screen host Rod Serling – best known for his live television dramas and his anthology television series The Twilight Zone – enjoyed a unique career while in the public’s eye.

Though it is claimed Serling died in 1975, he went on to assume the identity of a popular and award-winning television actor who portrayed one of the television medium’s most iconic and memorable characters – a disheveled, cigar chomping but endearing LAPD detective clad in a rumpled raincoat.

More intriguingly, however, during the era of the 1960’s, Serling took a detour from television hosting, producing and playwrighting to portray a character best-known to loyal and rabid sports fans as a legendary NFL football coach, a man whose name is synonymous with the Super Bowl trophy.

Though a confirmed connection between “Peter Falk” and Rod Serling was made in a previous article, further research led to an even more intriguing discovery – the involvement of “Vince Lombardi”.

SEE: Into The Twilight Zone with Detective Columbo

HOLLYWOOD’S ANGRY YOUNG MAN

As any successful Hollywood television executive is likely to admit, any publicity is good publicity, and nothing sells more profitably than controversy, most of which is routinely manufactured.

From the beginning of his career in television, Rod Serling gained a reputation as a rebel, a dissident standing against Hollywood’s status quo. He became notorious for his numerous clashes with television sponsors and network executives. While, on the one hand, Serling appeared active in stern opposition to creative censorship, on the other, the network executives with whom he often stood at odds wished to appease the advertisers and protect the integrity of their profit margins. As a result of his stubborn and intransigent demeanor, Serling was dubbed Hollywood’s ‘angry young man’.

Serling’s confrontations with network executives and advertising sponsors weren’t merely for the purpose of fighting for artistic integrity and creative freedom. During the span of his career, Serling was labeled a social and political activist. As a television producer with some measure of executive control over content programming, he was especially determined to utilize the television medium – particularly within the thematic context of The Twilight Zone – to address controversial topics such as race and war. The latter subject was something with which Serling had first-hand experience, not only from his enlistment in the armed forces during WWII, but he was often found to be at war with his employers, the television networks.

Regarding Serling’s military enlistment, numerous investigations have demonstrated connections to America’s military/industrial complex also lead right to the doorstep of the Jesuit order at the Vatican in Rome. Turns out, not surprisingly, one of the pair of fabricated character schemes into which Serling was modified during his career in Hollywood also has biographical connections to the military, while the other has a documented connection to the Jesuit order via Fordham University, an institution of higher learning established by the Society of Jesus, a military-styled death cult disguised in ecclesiastical garb.

Hypothetically probing further – did Serling’s protests against Hollywood television executives reflect genuine convictions or egoistic grandstanding? Or were his rebellions merely staged conspiratorial ruses, cooperatively cooked up by both Serling and the network executives for the sake of publicity and profits?

Clues which help to definitively answer the preceding hypothetical queries are embedded within Serling’s own ‘official’ biographies as well as those of his modified fabricated character schemes, a Hollywood actor who went on to portray one of television crime/drama’s most iconic and memorable characters, and a legendary NFL head football coach who, despite being hoisted into the pantheon of NFL greatness, was nevertheless known by detractors as a domineering and autocratic control freak.

Although it’s documented Serling clashed with advertisers because his conscience was stricken with heartfelt convictions of standing for artistic integrity, one of his first television productions, entitled ‘Patterns’ – an anthology television series sponsored by Kraft – was filmed at Rockefeller (AKA House of Saxe-Coburg-Gotha/Windsor/Hanover/Rothschild) Center, in the same building which would later become the studio used by the cast of Saturday Night Live, a show which, within the last few years especially, has exposed its true hand as nothing more than a vehicle for social and political propaganda. After toiling for years, earning a meager living as a staff writer for both radio and television, that particular television production – “Patterns” – went on to meet with great critical acclaim, lofting Serling from obscurity and firmly placing him on the road to notoriety, fame and fortune.

The initial Twilight Zone pilot show written by Serling for CBS – Columbia Broadcasting symbolized by the Jesuit/masonic eye (AKA the Sun/Lucifer) – was sold to Westinghouse Desilu Theater, owned by Lucille Ball (AKA Queen Elizabeth II/JFK “assassination” “witness” Jean Hill) and Desi Arnez (AKA Victor Mature).

SEE: His Highness Hollywood Fraud Zelensky

Not coincidentally, for several years, one of Serling’s modified fabricated character schemes – “Peter Falk” – lived in proximity to the Hollywood residence of “Lucille Ball”.

While making ocular comparisons between the pair of images posted immediately below, everyone will note the clearly delineated epidermal landmark – encircled in red – extending from the bottom of the respective chins and running parallel to the identically structured jawlines. In addition, extensive ear biometric analysis confirms the epidermal structures, geometrical contours of the respective ears are symmetrically identical.

Below: Rod Serling, Peter Falk

Facial recognition and image comparison analysis confirms the geometrical and structural contours of the respective chins, cheeks, lips. jawlines, nasolabial folds, eyes, and brows observed in the following pair of images are symmetrically identical.

Below: Rod Serling, Peter Falk

Later, before his “death”, Serling contractually consented to perform in a series of television advertisements for several major corporate brands – Ford, Radio Shack, Ziebart, and Mazda – which are well-known and popular with the public. Despite having compromised his artistic idealism, however, in the minds of his throngs of admirers, Serling still retained the maverick image of a Hollywood rebel – “Hollywood’s angry young man” – which was garnered earlier in his career.

Turns out, though, Serling not only had connections to Hollywood actress/comedienne “Lucille Ball” (AKA Queen Elizabeth II/Jean Hill) but to “Jack Benny” (AKA Prince George, Duke of Kent/Winston Churchill/Alistair Crowley/Bob Hope) and to “Jodie Foster” (AKA Abigail Hopkins/Caroline Kennedy/Anne Heche/Judy Greer/Helen Hunt/Julia Gillard), the hidden daughter of Sir Anthony Hopkins (AKA Gene Wilder/Dick Van Patten/JFK “assassin” Lee Harvey Oswald).

According to Wikipedia, “Serling appeared as a version of himself (but named ‘Mr. Zone’) in a comedic bit on The Jack Benny program and in a 1972 episode of Ironside {starring Raymond Burr AKA Rod Steiger/Mikhail Gorbachev/Milton Friedman/Lou Costello/Howard Cossell} which also featured a young Jodie Foster {AKA Abigail Hopkins/Caroline Kennedy/Anne Heche/Judy Greer/Helen Hunt/Julia Gillard} in which he plays a small-time proprietor of an occult magic shop.”

The “occult magic shop” in connection to the character Serling played in that particular television episode isn’t surprising, given his prior connection to “Jack Benny” (AKA Alistair Crowley, the twentieth century’s most renowned and notorious occultist).

As everyone shall observe a little later on, there is also a connection between “Howard Cossell” and another of Serling’s modified fabricated character schemes – legendary head NFL football coach “Vince Lombardi”.

SEE: NASA’s Fake Hollywood Space Cadets

As everyone has learned, CIA’s intelligence assets contracted for long-term employment in the Jesuit-controlled Hollywood television/entertainment industry can always be found working and appearing together. Such long-term assets contracted to work in the Hollywood television entertainment industry are covert psychological operations’ assets, posed before the public to portray specialized scripted roles as socio-political/behavioral engineering assets (AKA fabricated character schemes).

When examined with greater scrutiny, the manipulative psychological tactics of socio-political/behavioral engineering among many of the thematic plotlines of both Columbo and The Twilight Zone, though in many cases subtle, were nonetheless conspicuous and pervasive. In fact, as shall be explained with greater depth, the entire manufactured persona of the fabricated character scheme known as the NFL’s “Vince Lombardi” was conceptually predicated for the purpose of social engineering and mass behavioral modification.

SEE: Anatomy of a Hollywood Death Hoax

Anatomy of a Hollywood Death Hoax II

FDR: America’s Royal Hollywood Fraud

Thanks for the Memories, Your Highness

SOCIAL/POLITICAL ACTIVIST

Serling’s official biographies inform that when he attended high school in Binghamton, New York during America’s WWII era, he was considered to be somewhat of an irredeemable class clown – a “lost cause” according to Wikipedia. But that didn’t prevent Serling from becoming the editor of his high school’s newspaper. While serving in that capacity, he became known as a social and political activist, and encouraged his fellow classmates to join the war effort. As alluded to earlier, many of the plotlines of both Columbo and The Twilight Zone featured themes of socio-political/behavioral engineering. While The Twilight Zone’s plots subtly tackled social issues such as race and war, several episodes of Columbo featured subplots anchored by social issues such as feminism and class struggle. As shall be detailed a bit later on, Wikipedia’s biographical entry for “Peter Falk” (AKA Rod Serling) gives us an additional clue as to the emanations of Serling’s social and political activism, both of which are Marxist concepts.

The ideology of Marxism derived from the mind of a Jesuit scholar, Luigi Taparelli d’ Azeglio.

Though Serling excelled at athletics, when he tried out for his high school’s varsity football team, the coaching staff informed him he was too small. Not coincidentally, “Vince Lombardi”, Serling’s modified fabricated character scheme who went on to become a legendary head football coach in the NFL, was also considered too small before he joined the varsity football squad at the Jesuit’s Fordham University. But there is yet another key clue connecting both the fabricated character scheme known as the NFL’s “Vince Lombardi” and Rod Serling, the host of the Twilight Zone.

Both of their fathers were employed in the meat butchering trade.

Wikipedia confirms, “Serling’s father had worked as a secretary and amateur inventor before his children were born but took on his father-in-law’s profession as a grocer to earn a steady income. Sam Serling later became a butcher after the Great Depression forced the store to close.”

And then there’s the following biographical detail about the father of “Vince Lombardi” to consider, a detail which coincides with the biography of Rod Serling (AKA Hollywood television actor Peter Falk), the host actor identified in portrayal of the fabricated character scheme known as “Vince Lombardi”.

“At about the time of Lombardi’s birth, Harry {Vince’s father} and his brother, Eddie, opened a butcher shop in the Meatpacking District of Manhattan. Throughout the Great Depression, Harry’s shop did well, and his family prospered.”

Further considering the biographical connections between the pair of modified fabricated character schemes known as “Vince Lombardi” and “Peter Falk” both portrayed by the host actor (live-action role player) Rod Serling, according to Wikipedia, both Lombardi and Falk were born in the Bronx, New York. New York City is home to the oldest Grand Lodge of Scottish Rite freemasonry in North America and the New York Federal Reserve, a subsidiary of the Crown Temple, the ‘one square mile’ known as the City of London which, in turn, is connected to the Swiss banking consortium, including BIS (Bank of International Settlements), the World Bank, and the Vatican or Holy See.

While examining the three images posted in succession immediately below and making ocular comparisons, everyone will notice the identical epidermal landmark – encircled in red marker – extending from the bottom right of the respective chins and running parallel with the identically structured jawlines in common between Rod Serling (AKA Hollywood television actor Peter Falk) and the NFL’s Vince Lombardi. Further and extensive ear biometric, facial recognition and image comparison analysis confirms the geometric contours, shapes, and structures of the respective ears, brows, chins, nasolabial folds, and nose bridges are identical. While examining the final pair of images posted in succession, everyone will note the identical geometrical contours and structural shapes of the respective teeth – with particular regard to each of the canine cuspids encircled in red – are identical.

Everyone will also take note that “Vince Lombardi” is wearing glasses. As has been pointed out on several other occasions, brands of eyewear are often used as effective character modification props which serve to not only frustrate facial recognition analysis, but to distort the public’s ocular perceptions of the facial geometry, therefore better concealing the identity of the live-action role player. “Vince Lombardi” has also been strategically modified with nose putty or stippling for the purpose of frustrating geometric facial pattern recognition comparison to further distance the fabricated character scheme from the portraying live-action role player.

THE ONE-EYED CIA AGENT FROM THE ‘NEW SCHOOL’

There are more convergences between the ‘official’ biographies of both “Peter Falk” and “Vince Lombardi”, fabricated character schemes modified from the image of the live-action role player, Rod Serling. As for “Peter Falk”, the Hollywood television actor who went on to portray Frank Columbo, the absent-minded but covertly cagey LAPD detective, according to Wikipedia, he was born in the Bronx, New York. When Falk was three years old, he was diagnosed with retinoblastoma, which required surgical removal of his natural eye in lieu of an artificial one. This biographical detail has symbolic occult significance, to the eye of Horus, or the Sun, which is featured in the logo of the Jesuit order or Society of Jesus.

Surely, everyone also noticed the presence of the number three (EE=33), a numerical reference to Scottish Rite freemasonry. In a 1973 episode of the television series Columbo, entitled Requiem for a Falling Star, Falk’s character makes a reference to freemasonry. During the course of his investigation into the murder suspect – a has-been Hollywood movie star – Columbo notices a framed picture of the suspect’s deceased husband features a 32nd degree Shriner’s ring of the Scottish Rite. The Scottish Rite freemasons and the Shriner’s are both controlled from Vatican City by the Jesuit order and its Superior General.

While Wikipedia claims both the fabricated character scheme known as “Peter Falk” and his host actor Rod Serling were Jewish, there is the following excerpt drawn from author/researcher William Sutton’s text entitled The New Age Movement and Illuminati 666 to consider, which draws a cogent illustration of the covert relationship between the Jews and the Jesuit order or Society of Jesus, the military order which is now globally executing the Covid-19 psychological operation in conspiratorial league with the World Bank, Crown Temple in the City of London, Vatican City, the Swiss Banking consortium, the Hollywood entertainment industry, the MSM and “alternative” media, the pharmaceutical/medical cartel/complex, and the UN to implement the genocidal Agenda 2030/2050.

“Why would the Jesuits use their implacable enemy the Jews, to further their designs for world domination? The Jesuits never do anything out in the open where they can be exposed. If they are recognized as the culprits, they will be blamed and suffer the consequences, but if they can use someone else as the cause of the world’s problems, especially an enemy they can destroy in the process, they have simultaneously accomplished two of their objectives. The Jewish people are the perfect scapegoat. Since the Rothschilds are Jesuit agents operating under a Jewish cover, using them {i.e., the Rothschilds} in forming the Illuminati back in 1776 effectively throws the onus of this conspiracy on the Jews. The Rothschilds are certainly not the only Jesuit agenda agents that operate under a Jewish front.”

While Falk’s biographical entry at Wikipedia has convergences with that of “Vince Lombardi” and Rod Serling, it also contains curious anomalies as well as telltale details. Regarding his casting as Frank Columbo, “Peter Falk” was not the network executive’s first choice to portray the role. In fact, at first, it was “Bing Crosby” (AKA King Leopold III of Belgium/Alger Hiss/Adolf Hitler/Allen Dulles/Jack Haley/Danny Kaye) who the network executives first considered to cast in the iconic role.

SEE: JFK Hoax Executed by Wizards of Oz

According to Wikipedia, Falk’s formal education included matriculation at Hamilton College in Clinton, New York, before dropping out to join the Merchant Marine.

Wikipedia informs, “After a year and a half in the Merchant Marine, Falk returned to Hamilton College and also attended the University of Wisconsin.”

Everyone should note that Wisconsin is, of course, home to the Green Bay Packers, the NFL franchise with which “Vince Lombardi” became a head coaching legend.

But regarding Falk’s further formal education, Wikipedia adds the following biographical details which are perhaps even more telling, “He {Falk} transferred to The New School for Social Research in New York City which awarded him a bachelor’s degree in literature and political science.” The latter biographical detail serves as a key clue cementing the connection between the fabricated character scheme known as “Peter Falk” and his host actor (live-action role player) Rod Serling, who went on to become a script writer, playwright, and became noted in Hollywood for his social and political activism. Not surprisingly, further research confirms that many if not all of those included on the faculty for the New School for Social Research were avowed Marxists, academia’s useful idiots for the revolutionary global influence of the subversive political ideology hatched from the mind of Jesuit scholar Luigi Taparelli d’ Azeglio. It should also be noted that the New School for Social Research was funded by the Rockefeller family (AKA Rothschild/House of Saxe-Coburg-Gotha/Windsor/Hanover) and is dialed in with London’s Tavistock of Human Relations.

SEE: https://www.nytimes.com/1982/05/13/nyregion/the-new-school-a-maverick-gets-ready-to-rebuild.html)

But it gets better when Wikipedia then informs us, “He {Falk} applied for a job with CIA but was rejected because of his membership in the Marine Cooks and Stewards Union while serving in the Merchant Marine, even though he was required to join and was not active in the union (which had been under fire for communist leanings).”

Perhaps “Peter Falk” (AKA Rod Serling/Vince Lombardi) was accepted into the union precisely because he was a communist/Marxist intelligence-trained asset controlled by the Jesuits at CIA?

Though Wikipedia’s hack writers may use all sorts of verbal gymnastics that would make even the performers of Cirque de Soleil turn green with envy, their tortured semantical pretzel logic falls short from keeping enquiring and perceptive minds from noticing they have essentially implied and all but admitted “Peter Falk” (AKA Rod Serling/Vince Lombardi) was a Jesuit-trained intelligence asset even before his acting career in Hollywood began. Evidence of this exists within the details of another fabricated character scheme into which “Peter Falk” was modified – the NFL’s “Vince Lombardi”, educated at Jesuit-founded Fordham University.

WINNING ISN’T EVERYTHING IT’S THE ONLY THING

Hollywood’s entertainment complex, controlled by the Jesuit CIA which, in turn, controls the US’s military/industrial complex, oftentimes utilizes its most valued and high-profile modified fabricated character schemes to promote not only social and political agendas but to also promote the career ascendance of other such modified/fabricated characters. Such was the case with the NFL’s “Vince Lombardi” who, early in his head coaching career was promoted by “Howard Cosell” (AKA Rod Steiger/Lou Costello/Mikhail Gorbachev/Milton Friedman/Raymond Burr).

Not only did the loquacious “Howard Cosell” actively promote “Vince Lombardi” but – as demonstrated by the following video excerpt – he also helped build and legitimize his ‘legend’, a term which in the context of intelligence parlance is synonymous with a fabricated identity.

What “Howard Cosell” never informed the public was that the NFL – and all organized professional corporately owned sports leagues – exists primarily for the benefit of the global gaming industry headquartered in both the principality of Monaco and Las Vegas which are covertly overseen and managed by the Grimaldi family of Monaco.

SEE: Fidel Castro the Jesuit Racketeer

The global gaming industry is a more profitable organized criminal racket than even the international narcotics trades – controlled by the international intelligence octopus (CIA/FBI/MI5/MI6/MI7 AKA BBC/KGB/Mossad/Stasi/Falon Gong) – and the pharmaceutical/medical cartel. Fabricated character schemes such as “Vince Lombardi” are created as co-perpetrators to benefit those who own and manage the gaming/booking rackets in Las Vegas. During the coaching tenure of “Vince Lombardi” in Green Bay, Wisconsin, one of his most popular and highly touted players – Paul Hornung – was a notorious gambler who often bet on the very games he suited up to play. In fact, Hornung’s gambling was so notorious he was banned from the NFL for an entire season during what was supposed to be the prime of his professional career.

As has been documented in several previous articles, the NFL was founded by degenerate gamblers and the game of football was invented by Walter Camp, a high-degree freemason and member of Yale’s Skull and Bones fraternity (AKA Jesuit Grand Lodge 322).

SEE: https://www.casino.org/news/paul-hornung-nfl-golden-boy-once-banned-for-gambling-dies-at-84/

While examining the series of images posted below, everyone will note that not only are the geometrical alignments and epidermal contours of the respective ears identical, but the alignments of the respective hairlines are also identical.

Below: Rod Serling, Vince Lombardi

Below: Rod Serling, Vince Lombardi, Peter Falk

LOMBARDI FAMILY HOLLYWOOD ACTORS

During the filming of an official NFL production – “A Football Life: The Coach who Put Green Bay on the Map” – concerning Lombardi’s legendary NFL career, the only son of “Vince Lombardi” – Vince Lombardi Junior – verified that his father was nothing more than a professional actor. Apparently, Lombardi was renowned for his piercing foghorn voice which players could always hear from a distance, even during the heat of an NFL contest with the crowds applauding and cheering.

“Nobody could yell like he could. A lot of the time it was clearly for effect. I saw him one time kind of practicing some facial stuff in the mirror – you know, grimace, growl.”

And Vince Lombardi Junior should know, because he too is a television actor, better known as Tony Danza.

Below: Vince Lombardi Junior, Tony Danza

But more extensive facial recognition and image comparison analysis confirm that “Marie Lombardi” was also portrayed by a Hollywood actor, Mary Wickes, renowned for her numerous comedic roles over several decades and especially noted for her voice over narration for the animated Disney character Cruella De Ville. Not coincidentally, Wickes also starred in a Columbo episode with “Peter Falk” (AKA Rod Serling/Vince Lombardi) entitled “Suitable for Framing”.

Below from L to R: Marie Lombardi, Mary Wickes

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