A Partridge & the Prince of Darkness

It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.

But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents. 

Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.

Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.

In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London, Stanford Research Institute. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.

Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.

Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.

More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.

DIARY OF A MANUFACTURED MADMAN

From the beginning of the 1980’s MTV era, the legendary status of “Ozzy Osbourne” – dubbed the “Prince of Darkness” – seemed immediately programmed into the minds of popular music fans. Over the decades, that legendary status has not only been bolstered, but solidified with a seemingly endless array of absurd theatrics and, perhaps most importantly in terms of perpetuating a high-profile artist’s career, a voluminous discography filled with bona fide hit records, the Hollywood music industry’s most valuable currency.

Despite this – especially in consideration of the more clownish antics demonstrated by the artist over the course of his decades long music industry career – “Ozzy Osbourne” has never seemed to take the infamous reputation which precedes him that seriously.

However, it is precisely the zany and oftentimes boorish demeanor characterizing his public persona which has served to endear the artist known as “Ozzy Osbourne” to successive generations of popular music fans.

Nevertheless, both the clownish popular image and unique public persona of “Ozzy Osbourne” exist as a theatrical charade, a well scripted circus act performed by a wholly manufactured madman.

The following excerpted quotation, a lyric derived from one of the artist’s career-defining hit recordings – “Crazy Train” – appears to give the entire game away: “One person conditioned to rule and control. The media sells it – and you live the role.”

BORN ‘BRUMMIE’

“Ozzy Osbourne” was designed as a music industry plant, a fabricated character scheme portrayed by a well-trained actor with a hidden family relation to an entertainment legend belonging to Hollywood’s golden age, one who was also a hidden European royal.

In turn, as supporting evidence will help to demonstrate later on in this article, the Hollywood music industry is a commercial enterprise controlled from the top down by the US military/industrial complex and Jesuit-controlled CIA, while its majority commercial shareholders are to be found among those descended from thirteen European royal families with genealogies extending back to the Roman imperial historical era, families such as the von Furstenberg, Dukes of Swabia and Holy Roman emperors.

Typically, however, the “official” biographical narrative establishing the identity of “Ozzy Osbourne” appears to be built upon a soul crushing working class social and economic template.

According to an article published at guitarworld.com regarding the rather desperate economic conditions alleged to have been experienced during his childhood, Osbourne is quoted as having said, “I had one pair of shoes, one pair of socks – never wore underclothes – one pair of trousers and one jacket.”

Incredibly, despite the lack of basic household amenities such as running water and a functioning toilet, the very same article also claims that the Osbourne family owned a phonograph player and that Osbourne’s sisters regularly brought home Chuck Berry records purchased at the local record store. Though during the era of the 1950’s, record playing technology was cost prohibitive and considered to be a luxury item, especially by those inhabiting the working classes in England, this narrative detail is established as the inspiring basis for Osbourne dreaming of becoming a rock star.

However, as has also been found to be the case during investigations into media-generated fabricated character schemes, Wikipedia documents that the parents of “John Michael Ozzy Osbourne” labored for contractors – General Electric, Lucas Company, a firm specializing in the aerospace and motor industries – with ties and connections to the US/British military/industrial complex.

General Electric was a major financier of the political career of Ronald Reagan, Hollywood actor, president of the Hollywood actors screen guild, and former US president who, for several years, prior to becoming governor of the state of California, had served as the company’s official spokesperson.

Lucas Industries, manufacturer of aerospace technologies and automotive electrical systems signed cross-licensing agreements with other North American and European automotive electrical system manufacturers which, by the 1930’s, afforded the company a virtual monopoly in Great Britian. According to Wikipedia, although the company had secured a monopoly, its product was unreliable, and the nickname attached in relation to its shoddy auto-electrical systems was the very same which, decades later, was associated with “Ozzy Osbourne”, the alleged son of one of the company’s former employees, Lillian Osbourne.

“With a monopoly in place,” reports Wikipedia, “Lucas proceeded to supply electrical equipment that was commonly cited as the best reason not to buy a British car. The poor reliability of Lucas auto-electrics earned it the nickname ‘Prince of Darkness’.”

Though alleged to have been born in Marston Green village on December 3, 1948, “Ozzy Osbourne” spent his formative years in Birmingham, a poverty-stricken working-class enclave. During the second world war, Marston Green village hosted a royal Canadian air force base, which, at the close of the war, was repurposed as a psychiatric hospital and maternity ward before being demolished in the 1990’s. Legally, Canada is a commonwealth of the British crown, numbered among the Commonwealth of Nations. As for Birmingham, it is surrounded by several British royal air force bases where, still today, both British and US military forces are billeted. Approximately twenty miles from the municipality’s boundaries to the West, lies a secret – or perhaps now not so secret – nuclear defense bunker constructed during the “cold war” between the US and USSR consisting of an underground tunnel network and deeply burrowed facilities built for continuity of governance in the event of a nuclear attack.

A thorough, comprehensively articulated thesis, supporting the idea that nuclear weapons are technologically infeasible can be found at https://heiwaco.tripod.com/bomb.htm. The so-called nuclear deterrent was created not only to siphon trillions of tax dollars towards the coffers of the Jesuit-controlled US military/industrial complex but as an effective component with which to execute and conduct global psychological warfare.

The following video excerpt presents a simulation exercise in the form of an “official” but darkly comical MSM news broadcast which was produced by the US corporate government back during the 1980’s. It seems no coincidence that, during this same period of time, the popularity of MTV, the emergence of “Ozzy Osbourne” delivering dire messages such as “Suicide Solution”, and the ‘threat’ of nuclear annihilation had simultaneously converged. This simultaneous convergence of events was undoubtedly designed to contribute mightily to the profit-making potential of corporate military/industrial contractors such as General Electric, which had not only helped to hoist Hollywood actor Ronald Reagan into the White House, but, according to Wikipedia, formerly employed the man alleged to have been the father of “Ozzy Osbourne”.

But upon further consideration, it seems the music industry fabricated character scheme known as “Ozzy Osbourne” was created to promote solipsism, nihilism to an impressionable generation which, while coming of age during the MTV era of the 1980’s and repeatedly subjected to the psychological trauma of “nuclear annihilation”, was being psychologically conditioned by media-generated, socially engineered messaging/programming to become steeped in the destructive pursuit of petty material and other carnal desires.

For all intents and purposes, the product known as popular music manufactured by Hollywood’s music and entertainment industry is tantamount to infantile pablum, a product designed to socially and behaviorally engineer entire generations into a self-indulgent state of perpetual adolescence. The owners of the US corporation know all too well that populations which have been psychologically entrapped in a childlike state of dependence on their government are much easier to manipulate and even control. It follows then, that artists such as “Ozzy Osbourne” are merely created to sell newly ‘improved’, repackaged, and seductively flavored brands of baby food to unsuspecting and callow minded consumers.

Though nuclear weapons have proved to be merely fictional tools created for the purpose of executing psychological warfare on a geopolitical scale, nevertheless, perhaps, it could be so argued, these were the very circumstances which later inspired Osbourne’s ‘madman’ rock star persona.

BIOGRAPHICAL SIMILARITIES

After fronting seminal heavy metal rock act Black Sabbath for most of the 1970’s, Osbourne’s career in the music industry appeared to be in sharp decline. With the emergence of MTV looming at the beginning of the 1980’s and suddenly left without the support of a major corporate recording label, the professional trajectory of “Ozzy Osbourne” appeared directionless.

That is, until CBS records stepped in to the rescue and resurrected Osbourne’s flagging career. For decades prior, the giant masonic media conglomerate known as CBS (Columbia Broadcasting System) was helmed by William S. Paley, a covert intelligence asset and personal friend to former CIA director Allen Dulles.

SEE: JFK Hoax Executed by Wizards of Oz

An article published at radiopatriot.net confirms, “Bill Paley was close personal friends with both Allen Dulles and Lyndon Johnson. CBS played a huge role in telling America that a ‘lone nut’ killed JFK.”

Another revealing piece, published at bobafeldman.substack.com, confirms this, then divulges even more damning information on the long held historical relationship between CBS and CIA.

“The CIA apparently utilized CBS, historically, as its tool for many years. CBS’s Chairman of the Board for many years was a former Columbia University Trustee named William Paley. According to Deborah Davis’s 1979 book Katharine The Great: Katharine Graham and The Washington Post: ‘Paley’s own friendship with {former CIA Director} Allen Dulles is now known to have been one of the most influential and significant in the communications industry; he provided cover for CIA agents, supplied outtakes of new films, debriefed reporters, and in many ways set the standard for future cooperation between CIA and the major broadcast companies’.”

CBS’s Paley provided “outtakes of new films?”

Like the infamously fake Zapruder film perhaps?

Frequent visitors to this site may recall that, in a previously published article, former US president “Lyndon Johnson” (AKA Hollywood actor Robert DeNiro/Jerry Fallwell/Pat Buchanan/’Big’ Jim Tucker) was identified as a fabricated character scheme, while former CIA chief “Allen Dulles” (AKA King Leopold III of Belgium/Bing Crosby/Adolf Hitler/Kermit Roosevelt/Alger Hiss/Danny Kaye/Jack Haley/Carol O’Connor), also identified as a media-generated fabricated character scheme, proved to be the hidden father of “Lee Harvey Oswald” (AKA Sir Anthony Hopkins), who CBS and “Walter Cronkite” (AKA Walt Disney/Abraham Zapruder) sold to America as the ‘lone nut’ “assassin” of JFK (AKA Hollywood actor Dennis Hopper).

SEE: Bilderberg Returns to Build Back Better

Another Fake Phil Talk Show Host

Saint Russert Toppled from MSM’s Pedestal

Merv Griffin’s Menagerie of Misdeeds

NASA’s Fake Hollywood Space Cadets

After signing a contract with CBS, “Ozzy Osbourne” wasted no time in establishing his indelible image as rock and roll’s premiere ‘madman’. According to legend, during an initial board meeting with CBS executives, Osbourne proceeded to decapitate a live dove. Later, while embarked on a US tour, Osbourne tore the head off what was claimed to have been a live bat during a concert performance. Wikipedia alleges the bat in question was alleged to have been tossed on stage by a fan named Mark Neal.

In Sumerian gematria, the reverse cipher of the word batman equals 666.

In English ordinal gematria, ‘bat’ equals 58 in reverse ordinal, while the word freemasonry, in reduction ordinal, also equals 58.

‘Batman’ also respectively sums to ordinal and reduction ciphers totaling 51 and 15.  

More intriguingly, further gematria analysis indicates “Ozzy Osbourne” and “Mark Neal” both equal 51 in reverse reduction ciphers. When applied to the law of occult mirrored reversal, 51 also equals 15. More extensive gematria analysis indicates that the world ‘fifteen’ equals respective reduction and reverse ordinal ciphers of 38 and 34. Perhaps not so coincidentally, the word ‘serpent’ has respective reduction and reverse ordinal ciphers equaling 34 and 38, while the word ‘lucifer’ also has reduction and reverse ordinal ciphers totaling 38 and 43.

Lucifer is synonymous with occult Sun symbolism.

The Sun, of course, is also prominently featured in the official logo of the Jesuit’s military order of the Society of Jesus. The Jesuit’s Superior General not only covertly controls Vatican City – a front for the Swiss banking consortium – but CIA located in Langley, Virginia. 

    

But it gets better, or worse, depending on one’s perspective, because, it turns out, there is a hidden familial relationship between the host actor (live-action role player) identified in portrayal of “Ozzy Osbourne” and the golden age Hollywood actor/hidden European royal who also not only portrayed former CIA Director Allen Dulles’s brother, “John Foster Dulles”, but a slew of other fabricated character schemes, including legendary MSM newsman “Walter Cronkite”, “Walt Disney”, “Jimmy Stewart”, “Henry Fonda” – father of “Jane Fonda” (AKA Nancy Pelosi/Dolly Parton/Princess Lee Bouvier Radziwill) – “Fred Astaire”, and former US presidents  FDR and Harry Truman.

SEE: Nancy Pelosi Gets Nailed Once Again

In fact, there also exists a key biographical similarity between “Ozzy Osbourne” and the legendary music industry personality identified in portrayal of his fabricated character scheme, an actor/music legend alleged to have hailed from Liverpool, an English working-class seaport with living standards just as impoverished as Birmingham. Not only is Liverpool controlled by the British Port Authority, but historically, since WWII, it has also been a hotbed of activity for British intelligence – MI5 and MI6 – working in cooperation with CIA. This close working relationship between British intelligence, CIA has developed into what is now known as “Five Eyes”.

SEE: https://www.bbc.co.uk/news/uk-56284453

https://www.historytoday.com/archive/feature/beyond-bletchley-gchq-and-british-intelligence

https://www.csis.org/analysis/case-cooperation-future-us-uk-intelligence-alliance

THE EYES NEVER LIE 

 

When the respective geometrical shapes, structures, colors of the eyes featured in the previous images are examined more closely with ocular comparison, everyone will begin to observe they are identical. Both “Ozzy Osbourne” and former Beatle Richard Starkey/Ringo Starr are known to don various types of dark eyewear which are designed to distort the public’s perception of the facial geometry. When he’s not wearing various brands of dark lensed designer eyewear, “Osbourne” can be frequently observed with darkening brands of mascara applied to his eyelashes, presumably to not only help accentuate the projected image of rock’s “Prince of Darkness”, but to further distance the fabricated character scheme from the portraying live-action role player.

As everyone will also observe in the pair of following images – encircled in red marker – both “Osbourne” and Ringo Starr appear to have identically structured hairlines.

 

Additionally, comparative image analysis demonstrates that the respective sets of teeth featured in the following images are identically shaped, aligned, and structured.

 

During televised interviews, both “Osbourne” and Ringo Starr also repeatedly demonstrate a habitual and deliberate penchant for folding their hands in an identical fashion. 

Extensive and comparative biometric analysis also demonstrates that the respective geometrical alignments, shapes, and contours of the respective ears are also similar, if not identical. As everyone will observe, when examined more closely, lobes of the respective ears are landmarked with an identically placed epidermal striation. 

As was pointed out in a previously published article, the Beatles were a creation of London’s Tavistock Institute of Human Relations, a rather sinister organization connected to Wellington House, dubbed ‘the lie factory’, to British Intelligence, and to renowned occultist, high-degree freemason, and British intelligence asset “Alistair Crowley” (AKA Winston Churchill/Prince George, Duke of Kent/Bob Hope/Jack Benny).

As a lifelong asset of Tavistock and British intelligence, Ringo Starr/Richard Starkey was also modified into the role portrayal of the fabricated character scheme known as “Yasar Arafat” – Middle East’s War Simulation Spectacle – a manufactured middle eastern terrorist and former head of the PLO (Palestine Liberation Organization), a construct designed as geopolitical agent provocateur, created by Mossad, Israeli intelligence.

Ringo Starr/Richard Starkey (AKA Ozzy Osbourne/Yasar Arafat) is the hidden son of Prince Tassilo von Furstenberg (AKA Hollywood legend Fred Astaire/Walt Disney/Jimmy Stewart/Henry Fonda/Al Jolson/Walter Cronkite/John Foster Dulles/Abraham Zapruder/Ray Bolger/Glen Miller/FDR/Harry Truman), who, in addition to being a fine actor, superb dancer, and skilled voice artist, was also an accomplished drummer.  

But even more extensive comparative biometric analysis reveals that “Ozzy Osbourne” (AKA Richard Starkey/Ringo Starr) may also be connected to yet another renowned rock musician of similar age and belonging to comparative legendary status – Eric Clapton.

In the following images, not only will everyone observe that the respective sets of teeth are similarly if not identically structured, aligned, but that the identically structured respective ear lobes – as observed in the previous image featuring Richard Starkey/Ringo Starr – are landmarked with an identically placed epidermal striation. In addition, the geometric alignment, shape, and contour of the respective noses, chins, and lips are identical. In previous images, it can be observed that Ringo Starr/Richard Starkey has layers of stippling strategically applied to his nose, slightly thickening the outer contours. This is done to not only distort the public’s ocular perception of the facial geometry but to further distance himself from both “Ozzy Osbourne” and Eric Clapton. 

 

It should also be noted that not only does Eric Clapton have a previous musical relationship established with the Beatles, having performed on certain of their selected recordings and on Ringo Starr’s solo recording efforts during the 1970’s, but, according to a recent interview, “Ozzy Osbourne” (AKA Ringo Starr/Richard Starkey) revealed that Clapton also performed during recording sessions for his most recent hit recording release, entitled “Patient Number 9”.

PARTRIDGE SPRINGS INTO ROCK GUITAR HERO

The video excerpt posted above features an Australian teen-pop band called Zoot performing a hard rock cover version of the Beatles’ Eleanor Rigby. The band’s cover of Eleanor Rigby, released in 1971 just after Black Sabbath’s recording debut in 1970, became the band’s biggest hit. The guitarist seen performing in the video is a young Rick Springfield who, immediately after Zoot disbanded, moved to Los Angeles after being offered a recording deal. Soon thereafter, Springfield was recycled/modified into teen idol David Cassidy and cast to star in the prime-time television sitcom “The Partridge Family”.

In the series of images which follow, upon closer ocular examination, everyone will begin to observe that not only are the geometric alignment, shape of the respective eyes, brows, nose, lips, and chins comparatively identical, but teeth analysis confirms that the shape, alignment of the respective canine cuspids is also identical. As for biometric analysis of the respective ears, though silicon stippling has been applied to Cassidy’s lobes, altering their appearance, comparative analysis of the shape, contour of the respective inner portions of the ear, as well as the top outer portions – helix – are confirmed to be geometrically identical between both Springfield and Cassidy.

Rick Springfield (AKA David Cassidy) is the hidden son of Hollywood actor Warren Beatty (AKA Richard ‘tricky dick’ Nixon), who, in turn, is a family relation of Hollywood executives David Geffen and Barry Diller (AKA Dwight Eisenhower/Prince Eduard Egon von Furstenberg), Prince Alexander von Furstenberg (AKA Ron Desantis/Joe Rogan), Diane von Furstenberg (AKA Diane Sawyer/Martha Stewart), Princess Ira von Furstenberg (AKA Barbara Walters/Audrey Hepburn/Susan Pleshette/Rona Barret), and Prince Tassilo von Furstenberg. In a previously published article – Exposing Doctor Fetzer’s Grand Deception – Warren Beatty was identified as the live-action role player behind the role of alternative media kingpin “Doctor James Fetzer”. Fetzer’s podcast sidekick – “Gary King” – is a fabricated character scheme portrayed by his hidden son, David Cassidy (AKA Rick Springfield).

Among the vast array of fabricated character schemes portrayed by Prince Tassilo von Furstenberg, the hidden father of Richard Starkey/Ringo Starr (AKA Ozzy Osbourne/Eric Clapton), was 1940’s big band leader Glen Miller, who was alleged to have tragically perished in a plane crash. It comes as no surprise then, that Randy Roads (AKA Rick Springfield/David Cassidy), shortly after supplying the dazzling guitar pyrotechnics which quickly rocketed the first pair of Ozzy Osbourne recordings – Blizzard of Oz, Diary of a Madman – into the top of the Billboard rock/pop charts, would also fake his death in an alleged ‘plane crash’. 

Below: Randy Roads, Rick Springfield, David Cassidy