Sometimes one can’t help but feel a stab of sympathy for those who’ve fallen prey to the glittering, seductive images projected by imposters such as right-wing media darling Candace Owens. Nevertheless, while certainly attractive, seemingly intelligent, insightful, and perhaps even charming and witty, beneath Owens’s shining facade one couldn’t help but think something was amiss. Sure enough, Owens’s official biographies are filled to the brim with clues that her media image was carefully created, especially calculated to cultivate mass appeal among its targeted audience demographics and that her media emergence was engineered by forces beyond the public’s perception but yet hidden in plain view. These clues linked Owens to not only City of London Corporation, Jesuit-occupied Oxford University but to Prince Michael, Duke of Kent (aka Mick Jagger/Max Igan), to Enron and to Salomon Brothers, the company which occupied WTC’s Building #7 prior to the controlled demolitions executed as part of a grand psychological operation implemented on September 11, 2001. Turns out too, that Owens is connected to a once popular Hollywood actress and to a prominent media personality associated with a high-profile political figure which, before being “elected” U.S. president, was modified into the media generated image of the cave dwelling ‘terrorist’ who, according to the U.S. corporate government, was alleged to have been the perpetrating mastermind behind the events of 9/11.
What follows are the results of a reinvestigation into a major MSM figure. Although identified as a yet another fabricated media-generated image, recently, upon further investigation, it was discovered the portraying live-action role player had been misidentified. Bill O’Reilly – the former host of gutter trash tabloid Inside Edition and perhaps the most odious, intemperate gas bagging buffoon the MSM has ever put before the public – was at one time hailed as Fox News’s most popular news commentator.
Below: Bill O’Reilly
It turns out that the loud-mouthed and ill-tempered purveyor of propagandistic raw sewage known as “Bill O’Reilly” is merely yet another in an array of high-profile character modifications portrayed by one of Hollywood’s most iconic actors who, in turn, exists as a “reincarnation” of a “dead” Rockefeller, reportedly kidnapped and cannibalized back in the early 1960’s by a wild tribe of troglodytes while visiting an island in the Southwestern Pacific.
Or – so the “official” MSM created narrative would have the public believe.
Stars of the Hollywood music industry – and oftentimes, too, their “music” – are often used for ulterior purposes.
As many who frequent this site may by now have surmised, the Hollywood music and entertainment industry – from its inception – has always been closely dialed in with the US military/industrial complex and the Jesuit-controlled CIA/FBI.
Many of the music industry’s biggest stars – those such as “Kanye West”, for example – are routinely used as controlled-opposition and psychological operational intelligence assets.
Therefore, would it surprise anyone to learn that “Kanye West” has also been identified as a fabricated character scheme portrayed by a former NFL/UFL athlete and the eldest son of one of Hollywood’s most renowned movie stars – a Fordham educated Jesuit-trained actor and music recording star – with not only a long award-winning resume but one which, as revealed in a previously published article, stretches back several decades to when this iconic performer began his illustrious career as a child star in the Hollywood music industry as the leader of a doo-wop pop vocal group called the Teenagers.
It seems his eldest son – the actor identified in portrayal of music industry star “Kanye West” – has decided to follow in his famous father’s footsteps as a perpetrator of Post-Modern Reality Simulation.
Therefore, no, the results of the following investigation into “Kanye West” shouldn’t disturb or surprise anyone.
Because not only was “Kanye West” created as an MSM-driven Hollywood music industry image and socio-political influence agent/CIA intelligence-controlled opposition asset, but his former spouse – “Kim Kardashian” – is a fabricated character scheme portrayed by the hidden daughter of Cher and Sonny Bono (AKA Hollywood executive David Geffen/Doctor Anthony Fauci) who played a key role in the January sixth “insurrection” psychological operation which was staged in cooperation with Jesuit/Vatican-controlled FBI in 2021.
True to form, upon further investigation it appears that, now, one of the NFL’s most popular stars recently served in Washington D.C. as a congressman.
“David Madison Cawthorn,” according to Wikipedia, “is an American politician who has served as the U.S. representative for North Carolina’s 11th congressional district since 2021. A member of the Republican party, he is the first member of Congress born in the 1990’s and the third youngest in U.S. history. He describes himself as a Christian and a constitutional conservative.”
Below: Madison Cawthorn
Does “Madison Cawthorn” happen to look familiar to anyone?
Indeed, he should appear familiar – especially among those residing in America who also happen to be fans of the NFL (National Football League).
Turns out, however, “Madison Cawthorn”, U.S. congressional representative from North Carolina’s 11th district, and Tom Brady, declared the greatest quarterback to have ever played in the NFL, have been identified as fabricated character schemes modified from a live-action role player – a popular dramatic television actor famous for portraying the role of a serial killer.
The creation of dramatic tension has always been profitable for premium paying prime-time television advertisers. But both advertisers and television executives alike, have always known and understood, manufactured dramas are largely successful at keeping the public’s attention drawn to their television and computer screens, just long enough to sell them products they don’t need but have nonetheless been psychologically conditioned to believe they must covet and desire for the sake of superficial appearances.
Since the advent of the television medium, both Hollywood executives and Madison Avenue’s corporate advertisers have always been aware that stimulating the public’s covetous desires for unlimited material acquisition while at the same time promoting the illusion known as the “American Dream” can be immeasurably profitable.
After all, the job of corporate salesmen is to separate a majority of fools from what little money they possess.
This could also have something to do with the fact “Karine Jean-Pierre”, the current White House press secretary, has been instructed to maintain her absurd insistence – despite overwhelming empirical evidence to the contrary – the US economy is not in freefall recession while speedily plunging headlong into abysmal depression.
Nevertheless, superficial appearances matter, too, when it comes to considering the deceptive realm of politics.
Which is why the current presidential administration headed by “Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) installed at Pennsylvania Avenue chose Karine Jean-Pierre as its press secretary.
In a way, despite her demonstrated shortcomings, “Karine Jean-Pierre” – purported to be the first ‘woman of color’ and openly LGBTQ person to be appointed White House press secretary – represents the perfect facade the current presidential administration required to insulate themselves from public criticism of their policies.
Regarding “Joe Biden”, the MSM is still laboriously promoting a misleading narrative, that he may be mentally unfit to continue in office, that he is too old and decrepit to withstand another campaign bid for the US presidency.
Rest assured, this is pure bunk, designed to blatantly manipulate and control the perceptions of the American public.
“Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) is an accomplished actor following a scripted plan to implement the UN’s genocidal Agenda 2030/2050, a plan engineered decades ago.
Agenda 2030/2050’s global implementation is dictated from the top down by Crown Temple bankers/esquires in the City of London, Swiss banking consortium principals, and the Superior General of the Jesuit order at Vatican City in Rome.
The ultimate purpose of this ongoing MSM narrative, of course, is to promote the perception that national sovereign governments – as in this case, the US corporate government – aren’t sufficiently equipped to address much less solve manufactured “crises” such as “climate change” or the Covid-19 “pandemic”.
While openly promoting the prevailing narrative “Joe Biden” appears feeble and mentally unfit, the MSM’s ulterior motive is to covertly help solidify the perception that only global governing structures such as the United Nations can step in to solve “global” crises in lieu of sovereign corporate governments.
After taking the podium in the White House press room to recite scripted responses written for her in a notebook binder, a rather entertaining, amusing, and ongoing drama between “Karine Jean-Pierre” – touted as the first ‘woman of color’ and the first openly LGBTQ person to be named White House press secretary – and the FOX (666) News White House correspondent known as “Peter Doocy” soon developed.
Below: Peter Doocy
But some Americans – at least those with memories still functioning at nominal levels – have observed these pair of actors, one of which has an acting resume with connections to Disney, playing out scripted roles in similarly manufactured television dramas before.
If – as Karl Marx once wrote – “religion is the opium of the people,” then it could be so argued America became thoroughly addicted to the biblical bromides preached from the television pulpit of Reverend Billy Graham, considered to be the twentieth century’s most revered fundamentalist religious guru.
With a renowned career which lasted for more than five decades, it could also be argued, it was the charismatic Graham’s prolonged predominance in the public’s eye which not only brought the concept of ‘televangelism’ to the masses but made religion into a profitable commercial enterprise.
But there are also key anecdotes relating to “Billy Graham” which are less well known, rare but revealing biographical tidbits which shall be elaborated upon with greater detail later on.
For example, according to mastermedia.com, “on October 15, 1989, the city of Hollywood honored Billy Graham with the 1900th star on its legendary Hollywood Walk of Fame. Mr. Graham was awarded the star for his work as a minister of the Gospel using radio, television, and film.”
According to the New World Encyclopedia, William Franklin Graham was also awarded a knighthood – Knight of the British Empire – by the late Queen Elizabeth II (AKA Lucille Ball) of the House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild).
Furthermore, according to an article published in the Los Angeles Times – it was the intervention of newspaper magnate Willliam Randolph Hearst which helped to not only boost the upstart religious fundamentalist preacher’s career into the American public’s consciousness but significantly transformed the persona of “Billy Graham” into a household name.
In addition, during this same period of time when his religious ministry and public career struggled to gain a foothold in either the radio or television entertainment industry, further research indicates “Billy Graham” was also connected to Cecile B. DeMille who, according to Wikipedia, was “the founding father of the American cinema and the most commercially successful producer-director in film history.”
Regarding the legendary DeMille, Wikipedia also reports that he was “an active Freemason and member of Prince of Orange Lodge #16 in New York City.”
Given these documented connections to Hollywood and to William Randolph Hearst, would it surprise anyone to learn that “Billy Graham” has been identified as a fabricated character scheme – a persona tailor-made for both radio and television’s golden age – portrayed by a Hollywood and television actor who also had connections to Disney?
Sometimes, choosing to take the road less traveled is well worth the trip. Although from the perspective of most investigators such an approach may appear unorthodox, on the other hand, this nonconformist procedure can yield great dividends.
This turned out to be the case with one’s continued investigation into the death hoax of Hollywood actress “Anne Heche” (AKA Jodie Foster/Helen Hunt/Judy Greer/Julia Gillard), which led to not only a living member of the historically lionized “Kennedy family” and to Disney, but straight to the doorstep of an esteemed British actor who, as it also turns out, was a key perpetrator of the JFK “assassination” hoax.
In addition, not only did this British actor assume the role of the MSM’s villainous antagonist in the JFK “assassination”, one whose character portrayal, belying its brevity, significantly echoed into posterity, but he also has an intimate genealogical relation to the Hollywood actress identified in portrayal of the “late” “Anne Heche”.
Turns out, too, over the course of his decades long award-winning career, this particular British actor has proved to be quite a chameleon, having assumed several Hollywood-derived pseudonyms as well as an array of famous public personas.
The coup de gras is this: the live-action role player identified in portrayal of the “late” Hollywood actress “Anne Heche” (AKA Jodie Foster/Helen Hunt/Judy Greer/Julia Gillard) is not only still alive, posing as a prominent member of the American political dynasty known as the “Kennedy” family, but she is also the biological daughter of the aforementioned British actor from who, conveniently enough, so MSM sources uniformly claim, she has been estranged for a number of years.
Oftentimes, the monopoly owned MSM is used as a vehicle for the promotion of political and social engineering propaganda.
Sometimes – as in the case of the alleged “death” of Hollywood actress “Anne Heche” – it is also used as a weapon of mass distraction.
Once again, the MSM – masters of illusion – have sold another hoax to the American public.
And yet, one has noticed some of those numbered among the so-called “truth” community mourning her “untimely” and “tragic” death.
Suffice to say, on this occasion, in-depth research into the “official” MSM narrative surrounding the “death” of Hollywood actress “Anne Heche” led to the doorstep of David Manpearl, an executive at Mandeville Studios, a hidden subsidiary of Disney Corporation, and to “Kaeto Kaelin”, a fabricated character scheme portrayed by a washed-up Hollywood actor and “dead” Australian rock star.
Though “Kaeto” now hosts his own podcast, his appearance in the witness chair during the OJ Simpson (AKA Hollywood actor Danny Glover) “trial” simulation remains his only real claim to Hollywood fame.
But that’s not all.
Not by a long shot.
One’s investigation also led to Spahn Ranch, the former residence of the “counter-culture” retinue connected to “Charles Manson” (AKA Hollywood executive David Geffen/Doctor Anthony Fauci), to Disney Corporation and its network of subsidiary studios located in Mar Vista (AKA Greater Culver City), and to Doctor Peter H. Grossman – owner/operator of the burn medical center to where “Anne Heche” was transported – who, while sunk deep in a financial and legal quagmire involving his spouse Rebecca, was found in a severely compromised position and, it seems likely, became a victim of blackmail.
The essence of a magician’s craft is making illusions appear possible, materially tangible.
The same could be said regarding the essential craft of acting which, for all intents and purposes, exists as yet another form of magic.
If the actor, through the means of palpable transcendence, can suitably and successfully stimulate an audience’s imagination, causing them to collectively suspend their sense of disbelief, allowing for the collective conception of the impossible as possible, he has successfully mastered the esoteric rudiments of his craft.
It could be said the career of Hollywood legend Ray Liotta, perhaps best known for his role in the gangland extravaganza Goodfellas, was a prime example of one who had mastered the craft of acting.
Unknown to the public, however, before his “death” on May 26th at age 67, Ray Liotta starred in one last production, a role which helped most of the American public to imagine an inconceivable idea as tragic possibility.
Further investigation into the recent “event” alleged to have occurred on May 24th, in the rural town of Uvalde, Texas, has exposed Ray Liotta as a perpetrator of Post-Modern Reality Simulation.
Deeper investigation has also uncovered that a local television reporter from ABC affiliate WFAA, an actress formerly employed by Disney – Andriana de Alba – posed as “Eva Mireles”, one of a pair of Robb Elementary teachers the MSM alleges to have been slain, and that one of the other alleged child “victims” – ten-year-old “Amerie Jo Garza” – appears to be a complete fabrication with no existing birth or death records.
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