Hamish Harding’s Titanic Hollywood Tale

Hamish Harding’s Titanic Hollywood Tale

The making of media myths oftentimes consists of a specific brand of storytelling.

Generally, the brand of narratives in which the MSM specializes – especially those meant for maximum exposure, saturation – have oftentimes been found to be modernized retellings of ancient Greek or Roman myths. In particular, such was found to be the case with the Titan submarine disaster alleged to have occurred back in June of 2023.

As most may recall, one’s investigation into the alleged demise of the Titan submersible and its five crew members demonstrated that the story presented to the public by the MSM not only possessed masonic symbolism, a human interest narrative element recycled from the Titanic hoax, and plot holes larger than a jet airline hangar, but that one of the alleged “victims” – Suleman Dawood – was a photo shopped/raked image of a young Hollywood actor – Jack Champion – associated with esteemed Hollywood director James Cameron who, it also turns out, is the live-action role player behind the portrayal of NASA JPL “rock and roll rocket scientist” Adam Steltzner.

SEE: MSM Sinks Beneath the Deep

What better way could exist, therefore, to further solidify a modern retelling of an ancient occult myth in the collective consciousness of the general public, than to also cast one of Hollywood’s most iconic actors – one who was once known as the “late” Michael C. Rockefeller – in a starring role as one of the heroic “victims”?

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CIA’s ‘Mudd’ Goes Back to the Future

CIA’s ‘Mudd’ Goes Back to the Future

Within an investigative context, minute details are akin to clues hidden along jungled pathways culminating into ultimate revelation.

After studying the performance of the actor featured in the following video excerpt – alleged to be  “Phillip Mudd”, American media commentator and former counterterrorism official at both CIA and FBI – everyone will begin to surely notice similarities, in both tone and nuance(s) of voice as well as physical mannerisms, in common with a Hollywood/television actor who rose to stardom during the era of the 1980’s, one who is perhaps most famous for having been cast in the lead role of the Hollywood science fiction blockbuster ‘Back to the Future’.

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During his interview with CNN’s Wolf Blitzer, “Mudd” – a surname which, gematria calculation informs, equals 21, 3 7’s, or 777 in English Ordinal Reverse Reduction, Alistair Crowley’s joker intelligence code – attempts to elaborately spin a ridiculous yarn concerning a car bombing which was alleged to have been carried out by a terrorist, a terrorist he claims to have later spoken with. This narrative represents a gross prevarication undoubtedly created by CIA’s intelligence handlers then delivered by “Mudd” while on air with a theatrical flourish of intense but feigned emotional hysteria. Furthermore, this dubious tale detailing an act of alleged “terrorism” was likely thoroughly concocted to not only bolster in the minds of the targeted audience demographics the utility and continued necessity for CIA and FBI’s domestic and global surveillance efforts to combat “terrorism” and to keep the general public “safe” from “terrorists”, but to justify further tax expenditures beneficial to annual budgetary expansions. Upon viewing the video posted immediately above several more times, it also becomes apparent through detailed ocular analysis that certain portions of the facial geometry belonging to “Phil Mudd” have been strategically modified with CGI layering/animation during CNN’s post-production phase.

What “Mudd” fails to reveal, however, is that the American general public are the genuine target of these alphabet lettered agency’s vast surveillance dragnet and are therefore regarded as potential “terrorists”.

As shall be further detailed later on, the confirmed identity of the Hollywood actor in portrayal of CIA/FBI counterterrorism official “Phillip Mudd” confirms several salient points.

One – that high profile Hollywood actors/celebrities are also well-trained intelligence assets and agents who are regularly contracted to perform under pseudonyms in the guise of high-profile government officials to influence public opinion and perception and, through the effectiveness of demonstrative behaviors exhibited during scripted public performances, to elicit desired emotional responses in their targeted audiences, to justify greater tax expenditures allocated towards alphabet lettered US corporate government agencies acting under the aegis of and in concert with the Jesuit-controlled US military/industrial/Hollywood entertainment complex.

Two – in the case of former counterterrorism CIA/FBI official and MSM commentator “Phillip Mudd”, it becomes apparent his positive identification as a media-generated fabricated character scheme, portrayed by a strategically modified Hollywood actor, Michael J. Fox (666), legitimizes the premise that both CIA and FBI have historically utilized such modified character schemes for the purposes of plausible deniability regarding their various taxpayer funded psychological operations and, three, by virtue of placing such modified characters acting under pseudonyms who cannot be legally prosecuted in any court operating under Admiralty (AKA Roman/Maritime) Law before the public’s eye as “official” spokespersons, they are provided with an impenetrable shield against the possibility of legal scrutiny or worse, criminal prosecution.

But, given that “Alejandro Mayorkas”, the current chief of US Homeland Security, has also been identified as a fabricated character scheme, portrayed by another famous Hollywood actor – more on this will be revealed in another article, coming soon – there arrives an additional, and perhaps even more sinister, hypothetical premise to consider.

Namely, that the office of Homeland Security exists merely as a brass plated front or proxy for Jesuit-controlled CIA, created as a US corporate government funded bank depository from which CIA can clandestinely but legally funnel, in the way of double dipping, more tax dollars into its already bulging coffers both to sufficiently fund and to dramatically expand its domestic and globally connected surveillance and psychological operations.

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NY Governor Hochul Full of Hokum

NY Governor Hochul Full of Hokum

Politics is not only the practiced art of deception, but also merely theater, a staged production cast with actors, each portraying especially tailored roles, trained to regurgitate the ideologically oriented talking points scripted for them. It matters not for which candidate one casts their vote, because “freedom of choice” through the process of voting is merely a sham, an illusion.

Though a majority of US citizens may still lend credence to this illusion through the opportunity to cast votes in legally sanctioned “elections”, the candidates, all of whom, whether “democrat” or “republican”, are carefully vetted then selected by the upper ranks of the masonic brotherhood to represent the interests of the Crown Templar/Swiss/Vatican/banking cartels. The process of voter registration merely entails a citizen’s surrendering of legal consent, a legal forfeiture of individual sovereignty to the tyrannical will of collective corporate governance consisting of those “elected” to perform business as private law merchants. Washington’s District of Columbia (AKA United States/Virginia Company), a private masonic principality governed by Admiralty Law/UCC (Uniform Commercial Code), is a corporate subsidiary of the Crown Temple and its four Courts of Inn – Middle, Inner Temple, Grey’s and Lincoln’s Inn – residing in the City of London (AKA one square mile).

SEE: How Crown Temple Rules America (part I)

How Crown Temple rules America (part II)

How Crown Temple rules America (part III)

How Crown Temple Rules America (Part IV)

SEE also: Florida’s Playboy Senator & Impostor Governor

DeSantis Deception Delves Much Deeper

The fifty states (crown estates) of America which fall under the legal governing jurisdiction of the United States (AKA Washington D.C./Virginia Company), including Alaska and Hawaii outside its contiguous boundaries, exist as commercial markets/banking districts which were created for the commercial exploitation of both human and natural resources. As explained in previous articles, the US constitution and all state (crown estate) constitutions are legal documents couched in the legal terms of private law enumerating citizen privileges which can be amended or even revoked at any time. While the subject of this article concerns the current “elected” governor of New York, “Kathy Hochul”, it is important to point out that all US states (crown estates), are represented by two governors. This duality of governance remains hidden in each state (estate) constitution, written in the terms of legalese as opposed to vernacular.

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There is a hidden governor for the de facto crown corporation – governor of ‘this’ state – and another – governor of ‘the’ state – which remains visible to the public. This duality of governance was codified in 1933 with the War Powers Act (UCC 1207 Title 50 stat. 319) which is not only still in effect today but entailed that the publicly traded bonds (AKA birth certificates) of the people were henceforth to be put up as collateral against the debt owed to the Federal Reserve, a central banking subsidiary of the City of London’s Crown Temple. According to Title 50 USC (United States Code), 12 stat 319, since 1861, the US corporate government has been legally operating under a state of war. The Middle Temple of City of London’s Crown Temple uses the crown estate of New York as a primary base of operation and New York’s political machine is completely controlled by the York Rite of Freemasonry. Therefore, as “elected” governor of ‘the’ state of New York, the job of “Kathy Hochul” is largely ceremonial. Her designated role is to act as official spokesperson on behalf of the de facto crown corporation.

This is why Hollywood actors fill such positions while contracted to perform under pseudonyms.

After all, as everyone is surely well aware, actors are most accomplished at playing scripted roles, staying in character, and taking direction from an executive producer. Though actors cannot be held legally accountable since, within the context of the arena of politics, they are contracted to perform as private law merchants under false names attached to fabricated character schemes and, from a legal standpoint, technically don’t exist, they can, however, due to unsatisfactory performance, stand to take criticism from the public and then subsequently “voted” out of office. But this is the precise trick which is played upon the public to keep the status quo maintained in favor of the US corporation’s owners. Meanwhile, the legal but unlawful status quo remains intact, and the City of London’s Crown Temple, the US corporate government, and their criminal cartel remains sovereign, inviolable, and untouched.

As shall soon be revealed, the Hollywood actress identified in portrayal of New York governor “Kathy Hochul” is indeed an accomplished professional thespian who, most notably, starred in West Wing, a once popular television series.

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Dr. Jill’s Big Valleyed Dynasty of Lies

Dr. Jill’s Big Valleyed Dynasty of Lies

Oftentimes, what is readily visible to the human eye can also remain elusive, clandestine. When it comes to discerning the nature of reality, as presented to the public through television, computer/phone screens, it is this mingling of the seen and the unseen which remains an unsettling, even sinister, if not fascinating paradox.

However, when details of the myriad number of images, purported to be accurate portrayals of reality, flashed onscreen are scrutinized with a keen, coldly objective eye, the monochromatic truth concealed behind the facade of colorful lies can no longer remain obscured. It then becomes apparent that the deceitful nature of these well-designed images has been utilized to program, manufacture a preferred perception of simulated reality, created to serve ulterior agendas against the interests of their targeted audience, and which aim to manipulate then reshape both thought and behavior on a massive scale.

Since their inception, Hollywood and the MSM have remained the undisputed masters at maintaining this cruel deception. On this occasion, we shall primarily concern ourselves with the popular image which, for several years now, has been sold to the public as American presidential first lady “Doctor Jill Biden”.

Before becoming known as “Doctor Jill”, however, the result of extensive investigation indicates, she was an actress who began her public career in television and was known by another name. A name synonymous with ‘hit’ television shows such as the cowboy/western themed “Big Valley” during the 1960’s and, still later, during the 1980’s, with a starring role in “Dynasty”.

In the following video clip, this veteran television/Hollywood actress can be observed performing in the role of “Audra Barkley” in an episode of “Big Valley”, shot and aired in 1965.

Indeed, as shall be more fully revealed, American first lady “Doctor Jill Biden”, alleged to have been awarded an academic Ed.D., exists as a wholly created fabrication. But when the deceptive layers are peeled away, the actress who portrays her is revealed to be a doctor of deception, a perpetrator of Post-Modern Reality Simulation.

Continue reading “Dr. Jill’s Big Valleyed Dynasty of Lies”

MSM’s ‘Climate’ Propaganda up in Flame

MSM’s ‘Climate’ Propaganda up in Flame

The rumors of one’s demise have been greatly exaggerated.

In fact, one’s investigation into the recent Hawaiin “wildfires”, alleged to have caused widespread destruction in Lahaina, located in Maui County, took much longer than was expected.

As everyone shall discover, one’s investigative results exist in sharp contrast with the consensus conclusions offered to the public by both the MSM and “alternative” media.

Concerning the MSM, their feeble attempts in using the Hawaiin “wildfires” to promote the “climate change” agenda frankly reflects acute desperation. On the other hand, as if behaving on auto-cue, those counted among the “alternative” media immediately reached the consensus that those same disastrous “wildfires” alleged to have destroyed the township of Lahaina on the 8th of August were the result of some sort of well-coordinated directed energy weapon attack. This consensus seemed eerily familiar, when in the wake of September 11, 2001, “experts” began insisting the WTC towers and adjacent Building #7 were brought down with similar weapons. But as has been demonstrated on this site, the destruction of WTC and Building #7 were traditional controlled demolitions sold to the public as “terror” attacks. The “planes” which the MSM reported had been “hijacked” then struck the WTC towers were computer generated, added into the MSM news footage during post-production with video morphing/compositing/CGI augmentation techniques.

In this regard, it turns out, the recent “wildfire” event in Lahaina and September 11, 2001, have much in common.

Nevertheless, as usual, one couldn’t help but notice, those who dared utter an opinion in the wake of the “wildfires” which deviated even slightly with the predominating consensus regurgitated either by the MSM or “alternative” media were roundly denounced as heretics then summarily burned at the stake.

One expects the reaction to the following conclusions published in this article will prove comparatively hostile.

So be it.

Whichever premise one is more likely to lend predominate credence, it became clear that neither the MSM nor the “alternative” media bothered to investigate or identify the genuine perpetrators or to investigate their possible motives. Had they done so, they would have discovered that Hawaii, or more specifically, Hawaii County, has been an active member of I.C.L.E.I (International Council on Local Environmental Initiatives) since 2013, an NGO (Non-Government Organization) connected to the UN and it’s seventeen “sustainability” goals which, due to the alleged “threat” of “climate change”, involves the global establishment of “smart” cities or human resource habitats. Nor – to the best of one’s knowledge – has anyone among either the MSM or “alternative” media yet bothered to cite the role played by tech billionaire and Oracle CEO Larry Ellison, who, according to Wikipedia and other mainstream sources, is the principal owner of Hawaii’s island of Lanai, which is part of Maui County where the “wildfires” were alleged to have wreaked havoc and mass devastation.

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Oracle – a Jesuit/CIA controlled corporate entity – is involved in advancing the rapid development, deployment of cloud computing, the type of technology that is sure to play a major role in the establishment of the UN’s digital surveillance/communications “smart” grid, both globally and in Hawaii. As for Oracle co-founder/CEO “Larry Ellison”, deeper investigation demonstrated he is not who the MSM claims him to be.

Rather, “Larry Ellison” has proved to be another media generated fabricated character scheme, a front for the Jesuit controlled CIA intelligence apparatus/military/industrial complex, portrayed by a familiar Hollywood actor who not only played a prominent role in executing the OJ Simpson trial simulation, but, as well, has connections to a “dead” Australian rock star.

Continue reading “MSM’s ‘Climate’ Propaganda up in Flame”

Infamous Hollywood Liars Busted

Infamous Hollywood Liars Busted

The MSM wants to ensure that “official” narratives concerning certain high-profile news events cannot be questioned. They want to ensure that the general public is convinced that questioning, or even addressing these certain news narratives in any manner which deviates from the “official” consensus is socially unacceptable.

Perhaps even criminal.

Such extreme measures indicate that MSM news executives have reached an acute state of desperation over their dwindling influence with the American general public.

But since the MSM isn’t interested in the pursuit of journalism, one of their recent responses to this degenerative state of affairs was choosing to concoct another news event – a deliberately staged trial simulation – with the intention of promulgating malicious propaganda. The star of this show was CIA controlled opposition “alternative” media icon “Alex Jones”. Reportedly, Jones was found guilty of defamation charges and subsequently fined a substantial monetary sum for having questioned the “official” MSM narrative of the “shooting” alleged to have taken place at Sandy Hook Elementary back in 2012.

But one shouldn’t waste needless pity for “Alex Jones”.

While having been identified as a fabricated character scheme portrayed by a well-hidden European noble, “Jones” (AKA Prince Gustav of Sayn Wittgenstein Berleburg) was merely acting out his scripted role as part of a well-planned but transparently ill-conceived psychological operation. Which means “Alex Jones”, while working at the behest of his CIA/Jesuit intelligence masters, and even while appearing to be put under legal oath, knew he could never tell the public the truth about his fellow Jesuit controlled Hollywood intelligence operatives, about the experienced Hollywood actors/directors who were cast in major roles – “Gene Rosen”, “Doctor H. Wayne Carver II” – to help execute the mass casualty simulation event/psychological operation staged at Sandy Hook Elementary over one decade ago.

Below: Gene Rosen, Doctor H. Wayne Carver

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SEE: Bankman-Fried Trial Judge Royal Impostor

Nancy Pelosi Gets Nailed Once Again

While the Hollywood actor/director identified in portrayal of Sandy Hook’s “Gene Rosen” is comparatively less well known to the public, the identity of the host actor cast in portrayal of “Doctor H. Wayne Carver” is certainly better recognized. As everyone shall soon observe, the latter Hollywood actor/director also portrays climate change guru “Al Gore” and former CDC (Center for Disease Control) director “Doctor Robert Redfield”.

Regie

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Merv Griffin’s Menagerie of Misdeeds

Merv Griffin’s Menagerie of Misdeeds

Over the decades, since the advent of the television medium, mainstream television talk show productions and those cast as their hosts have both played important roles in so far as the application, execution of mass societal behavioral modification, social engineering, the manufacture of social, political consensus, and population perception management.

Quite unexpectedly, while performing research for a recently published article, one happened upon a pair of audio/visual excerpts from The Merv Griffin Show, a popular prime time Hollywood celebrity-oriented talk fest broadcasted during the eras of the 1970’s and early 1980’s. On the surface, though Merv’s show seemed rather dull, filled with the usual mundane and rather trivial talk show fare, nevertheless, selections of banter between Griffin and some of his selected guests proved rather interesting, if not wholly revealing.

Merv Griffin during Broadcasting & Cable Hall of Fame – November 7, 1994 at Marriott Marquis Hotel in New York City, New York, United States. (Photo by Ron Galella, Ltd./Ron Galella Collection via Getty Images)

In the first video excerpt encountered, Griffin was interviewing the “late” Sharon Tate, alleged to have been murdered by “Charles Manson” (AKA Hollywood executive David Geffen). The second excerpt – and perhaps just as intriguing – featured Griffin interviewing Barry and Robin Gibb, members of the Bee Gees, a formerly popular 1970’s disco era pop music group.

Below from L to R: Robin Gibb, Barry Gibb

As everyone shall shortly observe, in the first video excerpt, while Griffin and Tate are walking down Carnaby Street in London, England, they are suddenly approached by Hollywood actor Hugh O’Brien. An encounter which, although made to appear spontaneous, was undoubtedly well-planned, tightly scripted. It also became apparent that, concerning the affectations of social sophistication and airy demeanor demonstrated by the show’s host, Griffin was a highly skilled thespian putting on a performance. In addition, one developed an intuition that “Merv Griffin” seemed rather familiar.

After exchanging introductory formalities with O’Brien – at approximately 2:53 in the video posted directly above – Griffin makes an eye-opening quip concerning the CIA. Later, during the interview segment of Griffin’s program, Tate reveals that not only is her father employed by Army intelligence and is stationed in Vietnam, but that she was also born in Dallas, Texas. Of course, Dallas, Texas served as the movie set for the staged “assassination” of U.S. president “John Fitzgerald Kennedy” (AKA Hollywood actor Dennis Hopper) filmed by “Abraham Zapruder” (AKA Walt Disney). Tate also mentions her new film – Vampire Killers – which was directed by Roman Polanski who Tate would later wed. It turns out that “Merv Griffin” has connections to both “Roman Polanski” and to Dallas, Texas, specifically Dealy Plaza.

SEE: JFK Hoax Executed by Wizards of Oz

In fact, not only did further, deeper investigation reveal that the “late” “Merv Griffin” was a fabricated character scheme, a manufactured mainstream television persona behind which lurked a most familiar live-action role player, but, in the case of the Bee Gees, both Robin and Barry Gibb, respectively, have connections to legendary popular music groups – both to the Beatles and to Led Zeppelin. Continue reading “Merv Griffin’s Menagerie of Misdeeds”

Behold the Rockefeller’s Fake Pale Horse

Behold the Rockefeller’s Fake Pale Horse

Since the advent of the television/radio entertainment industry and the inception of the Jesuit/CIA-controlled Hollywood entertainment complex, the public has been systematically manipulated and on multiple levels.

In depth analysis indicates, there exists no variation in the nature of the delivered content between the MSM and the “alternative” media – except perhaps one. In the case of the latter, broadcasted narratives – psychological operations in disguise – targeted at particular audience demographics are found to be tweaked with alternatively stylized messaging then delivered wrapped in differently colored patinas of visual packaging.

Yet, the objective(s) remains the same.

Namely, through the utilization of Pavlovian psychological methodologies, group dynamics, manufactured consensus via Delphi technique, trance inducing Neuro Linguistic Programming/suggestive hypnosis, and semantic wizardry, to effectively produce preferred emotional reactions, mass behavioral modifications, manipulation of collective perception, and to create both cognitive confusion and demographic divisiveness, in so far that specifically targeted audience demographics, fallen prey while entrapped in a manufactured but fragmented socio-political ethos, can be better identified, targeted, pacified, and neutralized into ineffectualness with even greater precision, and eventually greeted to oppose one another.

The subject of this article – David Rockefeller Junior – is more than aware of these effective but sinister tactics of population manipulation, pacification, and control. 

David Rockefeller Junior is also aware that one of the most effective ways to successfully execute the covert objectives of psychological operations is to pose in disguise as a highly trained and skilled controlled-opposition agent. Further investigation confirms that David Rockefeller Junior, a powerful man on the world’s stage and heir to one of the largest private fortunes ever amassed, once disguised himself as one of the “alternative” media’s most revered and influential founding fathers, the “author” of a famous and best-selling tome entitled ‘Behold A Pale Horse’.

But before modifying himself into a persona which became known as a Goliath of the “alternative” media, David Rockefeller Junior was known to the American general public by pseudonyms attached to famous Hollywood-styled fabricated character schemes.

One which became, for a time at least, a successful Hollywood character actor, an obese but grandiosely styled pop/rock singer, and yet another who starred as a popular comedic performer and who was also a “late” cast member of Saturday Night Live, a popular mainstay of American television and popular culture which, to this day, is still broadcasted from thirty Rockefeller Center in New York City.

But wait, there’s more.

Turns out, David Rockefeller Junior’s father, the late David Rockefeller Senior, also once starred as the host actor disguised behind the manufactured public persona of another giant of the “alternative” media. 

Continue reading “Behold the Rockefeller’s Fake Pale Horse”

Another Fake Talk Show Host Named ‘Phil’

Another Fake Talk Show Host Named ‘Phil’

Though many who frequent this site may have read about the results of the investigation into “Doctor Phil McGraw” who was identified as a fabricated character scheme, he wasn’t the only talk show host named ‘Phil’ with a hidden identity.

SEE: Del’s Big Tree Bears Rotten Fruit

Before the vivid persona of Oprah Winfrey became the predominant figure on the daytime television talk show circuit, there was another with whom Oprah credits the possibility for her meteoric success – “Phil Donahue”.

From the beginning of his television career, the popular television persona who became known to the American public as “Phil Donahue” carved out a rather sizable and dominant niche on what was up until then, during the era of the 1980’s, an almost barren daytime television landscape populated by mindless game shows and melodramatic soap operas.

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Even after his emergence on the American television airwaves, the format of Donahue’s talk show contrasted sharply with that of his would-be competitors. Instead of founding a platform for inane discussions concerning crass popular culture or a shallow promotional showcase for Hollywood celebrities, “Phil Donahue” showed a penchant for tackling issues which appeared to be of social or political import. Issues which sometimes were considered controversial or even taboo by targeted audiences and network executives alike.

As shown in the video clip at the link posted below, in 1985, decades before the Covid-19 “pandemic”, “Phil Donahue” invited Doctor Robert S. Mendelsohn – who at the time was considered to be a most controversial figure among his colleagues in the medical profession – onto his show to discuss the clear and present dangers to the public’s health posed by vaccinations.

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Though today, mainstream talk show hosts wouldn’t dare allow such contrarian views to be aired, at least in this regard, “Phil Donahue” proved to be well ahead of his time and his would-be competitors. But did this penchant for exploring controversial topics emanate from a deeply held conviction? Or was “Phil Donahue” merely playing out the role he was scripted to portray?

Upon further investigation, the latter turned out to be the case.

“Phil Donahue” was a fabricated character scheme. A carefully tailored image designed to titillate and entertain a particular targeted audience of daytime television consumers. After all, as any television executive knows, controversy is a marketable commodity, profitable to not only the network’s bottom line, but to the network’s advertisers. But there is much more to the story of “Phil Donahue” which won’t be found in “official biographies”.

Before becoming daytime television’s premiere talk show host, “Phil Donahue” played the role of a villain in one of American history’s most tragic narratives – the “assassination” of an American president. Not only that, but the Hollywood actor knighted by the British royal family who has been identified as his host actor (live-action role player) has been known by a slew of famous pseudonyms.

Continue reading “Another Fake Talk Show Host Named ‘Phil’”