When considering their incomparable longevity, historical place in popular music’s pantheon, the Rolling Stones could be characterized as the enduring deities of Mount Olympus among a multitude of mere mortals. Indeed, after more than fifty years of hitmaking, while having embarked upon their latest tour in 2024, the band still exudes, projects an image of indefatigable vitality, preternatural vigor. While nearly all of their remaining classic rock contemporaries wheeze like winded mules while pathetically attempting to clutch renewed glory from the past’s fading shadows, the legendary luster of the ‘glimmer twins’ – Keith Richards, Mick Jagger – remains still largely undiminished.
But by no means should this be construed as hagiography.
On the contrary, the popular music industry, controlled from the top down by the Jesuit military order (AKA Knights Templar), continues to be utilized as a soft power weapon of psychological warfare, a well- sharpened tool of population pacification, a vital but brutal instrument of sociological management. The industry’s highest profile performers, entertainers are intelligence directed assets, operatives, many of whom, including Keith Richards (AKA King Charles III) – SEE: Charles and Ted’s Not So Excellent Adventure – have been identified as hidden descendants of European royalty. Further investigation has uncovered that the other half of the dynamic rock and roll songwriting partnership known as the ‘glimmer twins’ – Rolling Stone Sir Mick Jagger – is in fact not only a hidden relation of the late Queen Elizabeth II – SEE: Something Royally Wrong with Rally Gunman Witness , MSM Crooks Hooked Booked & Busted – but a royal Duke who for decades has effectively masqueraded as one of rock and popular music’s most renowned, iconic figures.
It is generally believed, by musicians seeking to become stars while wallowing in obscurity and popular music fans alike, that Hollywood music industry executives remain busy constantly scouring nightclubs from coast to coast looking for the ‘next big thing’.
But this widely held belief is a fallacy. Nothing could be further from the truth. The renowned stars with which popular music fans have become most familiar have proved to be sons and daughters of either industry legends, corporate entertainment executives, or the family offspring of those who own the record companies, oftentimes child prodigies who’ve been well trained at the finest performing arts schools to master their specialized trade. After being signed to a contract with a major corporate recording label and becoming designated as a priority project, such artists are instantly surrounded by what is tantamount to an efficient brain trust, consisting of premiere record producers, song writers and arrangers – termed ‘song doctors’ in the industry – top-notch sound engineers, wardrobe and makeup specialists, attorneys, managers, and booking agents.
Since its inception, the Hollywood music industry promotes from within, and those promotions are often based on nepotism. As has been discovered to be the case with contracted assets performing in professional sports – SEE: NFL’s Touchdown Tom Not So Terrific – likewise, popular, profitable assets with successful resumes contracted for employment in the Jesuit and US military/industrial complex-controlled Hollywood music and entertainment industry are routinely recycled into new identities.
Once media marketed entertainment images prove popular with particular audience demographics, to exploit the profitability of new commercial markets, actors or assets working under contract are often cleverly outfitted with sparkling new images, as well as carefully crafted pseudonyms designed for commercial appeal to targeted markets.
In essence, once recycled into new identities and images, Hollywood entertainment industry assets become perpetrators of Post-Modern Reality Simulation designed with the ulterior purpose of promoting social engineering, and with the deliverance of behavioral programming and media messaging. The execution of such operations is directed from the top down by the Jesuit’s Society of Jesus in control of Vatican City in Rome, overseen by military psychological operations units in cooperation with US and British intelligence, while the emotional, behavioral reactions of targeted population demographics are meticulously monitored by organizations such as Tavistock Institute of Human Relations in London, Stanford Research Institute. Such psychological operations prove beneficial to the City of London’s Crown Temple and Swiss banking consortium and their hegemonic maintenance of population centers and the global status quo.
Ironically, while rock music has sold successive generations on the idea of liberating rebellion, they’ve been covertly programmed for enslaving conformity.
Turns out, a pair of intelligence-controlled Hollywood music entertainment assets, perpetrators of Post-Modern Reality Simulation, pose as this article’s featured subjects: “Ozzy Osbourne” and “Randy Roads”.
More extensive investigation indicates and in fact confirms that both of these legendary rock stars were previously known by other famous monikers. One of them was formerly known as a member of perhaps the most famous pop group of the 1960’s, a star who also became known – under another name – as perhaps one of that decade’s most prominent, well-respected, and influential pop musicians and instrumentalists, while the other, before assuming the identity of heavy metal rock guitar god “Randy Roads”, was a 1970’s teen idol cast in the television sitcom “The Partridge Family.” Now, today, this former ‘Partridge’ stars as a podcast sidekick for one of the alternative media’s most influential and well-known figures.
Certain individuals have a knack for remaining clandestine while simultaneously keeping a somewhat conspicuous public profile. A paradoxical scenario to be sure. To those among the general public, however, someone with the capability to execute such a deceptive trick would be considered tantamount to a magician. And yet again, such a feat may not too difficult for one in possession of great wealth, wealthy enough to gain some modicum of influential or even controlling interest in the MSM.
In addition, when one’s son is the ubiquitous cult of personality known as “Elon Musk”, chief executive of both Tesla, Space X and chief proprietor of X, the social media platform formerly known as Twitter, it may be that much easier, after faking one’s death, for a “dead” man to conceal one’s genuine identity with an appropriated pseudonym attached to an alternate persona. If successful at employing such deceptive tactics, one could conceivably hide among the public arena while operating in plain view.
But why make the hypothesis that the man pictured in the image posted above may be “dead”?
Because it turns out that, upon more extensive investigation, “Errol Musk”, alleged to be the father of “Elon Musk” (AKA Prince Constantijn of the Netherlands) is a British royal in disguise, one who was recently alleged to have “died”. Though there isn’t much biographical information available on “Errol”, enough information remains extant to provide possible clues as to his true identity.
1.) Online biographies reveal that Errol’s mother was British, 2.) There exists a rather well-circulated, but dubious MSM promoted narrative which appears derived from a discarded B grade Hollywood action/thriller script treatment, the reported details of which allege “Errol Musk” fended off an attack from a gang of gun toting home invaders at his plush residence in South Africa.
Suspiciously, this particular widely circulated story is not only ridden with gematria coding, but the veracity of its narrative details – like most if not all such stories promoted by the MSM – crumble to utter dust under the weight of even the slightest scrutiny.
For example, despite being outnumbered and outgunned, this MSM promoted story claims that not only did “Errol” heroically emerge intact and alive, but he managed to gun down three of the seven alleged home invaders.
With the visual magic of Hollywood cinema production, the semantic word sorcery of the print media, and the immense propaganda machine of the MSM augmented by the sinister art of neurolinguistic programming and CGI/green screen trickery at one’s disposal, the potential for manipulating the public into believing fabricated falsehoods is never beyond the realm of possibility.
As well, too, the psychological operations of the controlled opposition “alternative media” and assorted social media platforms, which are nothing more than colossal data mining machines managed by the CIA and other alphabet lettered organizations umbrellaed under the centralized control of the Society of Jesus at Vatican City in Rome, exist as vital components in this widespread distribution of information propaganda designed for the purposes of social and political division and pacification.
Though the idea may be inconceivable or even preposterous to most, with such effective perception altering tools at one’s disposal, it even becomes possible to resurrect a man from “death” and turn him into a bona fide Hollywood celebrity, to be worshipped and adored by millions. But believe it or not, such appears to be the case with the “late” Michael C. Rockefeller, the son of Nelson Aldrich Rockefeller, formerly U.S. vice president and governor of New York.
Below: Michael C. Rockefeller
According to “official” biographies and accounts, Michael C. Rockefeller disappeared in the jungles of New Guinea and was never to have been seen again.
Or was he indeed?
The answer: he did reappear – in Hollywood.
Over a period of decades, Michael C. Rockefeller has been observed by the American public time and again on Hollywood’s silver screen. As shall be detailed further, the “late” Michael C. Rockefeller, in the guise of the award-winning Hollywood actor observed in the image posted immediately below, has been modified into several high-profile fabricated character schemes operating under pseudonyms in the realms of entertainment, politics, and the medical/pharmaceutical complex.
Upon first impression, the attempt to draw connections between the JFK “assassination” and the classic Hollywood movie Wizard of Oz may appear to be a dubious hypothetical proposition.
Unlikely as the premise might seem, deeper investigation demonstrates this hypothesis has empirical merit.
Turns out, not only was there a family connection between Allen Dulles – who served as CIA director during the brief tenure of the Kennedy presidential administration – and “Lee Harvey Oswald”, JFK’s “assassin”, but Allen Dulles has direct connections to Bing Crosby, to Adolf Hitler, and to Jack Haley, who starred in the classic Hollywood cinema production of Wizard of Oz.
Below from L to R: Allen Dulles, Bing Crosby, Jack Haley
Below: John Foster Dulles, Walt Disney, Ray Bolger
Ray Bolger, cast as the Scarecrow in Wizard of Oz, has direct connections to Walt Disney (AKA Henry Fonda/Jimmy Stewart/Al Jolson/Franklin Delano Roosevelt/Harry S. Truman/Glen Miller/Walter Sommerlath/Prince Tassilo von Furstenberg), and to CBS newsman Walter Cronkite, who was the first to go on the air immediately following JFK’s “assassination” in Dallas’s Dealy Plaza.
Furthermore, actor Jack Haley – cast as the Wizard of Oz’s Tin Woodsman – harbors a host of connections: to Adolf Hitler, Hollywood actor/singer Bing Crosby, and to Serco, the British multi-national corporation formerly known as RCA which now controls the US National Visa Center, the US Defense Ammunition Center, the US patent and trademark office, and FEMA region 9 on the West coast of the United States.
But as everyone shall soon observe, the Wizard of Oz’s Tin Woodsman (Jack Haley), Scarecrow (Ray Bolger), Allen Dulles and John Foster Dulles are descended from European royalty.
But the connections between one of Hollywood’s most celebrated cinematic works – Wizard of Oz – and the JFK “assassination” don’t stop there.
Judy Garland (AKA Shirley Temple Black/Jaclyn Bouvier Kennedy Onassis/Marilyn Monroe/Madeleine Albright/Helen Thomas), who starred as the character known as Dorothy Gale in Wizard of Oz, has more than one connection to not only the JFK “assassination” hoax but to the more recent Sandy Hook school “massacre” hoax.
Added to this, the occult philosophies espoused by “Alistair Crowley”, infamously renowned as the twentieth century’s most influential occultist, are also inextricably linked to the intriguing investigative mysteries surrounding one of American history’s greatest hoaxes.
The creation of dramatic tension has always been profitable for premium paying prime-time television advertisers. But both advertisers and television executives alike, have always known and understood, manufactured dramas are largely successful at keeping the public’s attention drawn to their television and computer screens, just long enough to sell them products they don’t need but have nonetheless been psychologically conditioned to believe they must covet and desire for the sake of superficial appearances.
Since the advent of the television medium, both Hollywood executives and Madison Avenue’s corporate advertisers have always been aware that stimulating the public’s covetous desires for unlimited material acquisition while at the same time promoting the illusion known as the “American Dream” can be immeasurably profitable.
After all, the job of corporate salesmen is to separate a majority of fools from what little money they possess.
This could also have something to do with the fact “Karine Jean-Pierre”, the current White House press secretary, has been instructed to maintain her absurd insistence – despite overwhelming empirical evidence to the contrary – the US economy is not in freefall recession while speedily plunging headlong into abysmal depression.
Nevertheless, superficial appearances matter, too, when it comes to considering the deceptive realm of politics.
Which is why the current presidential administration headed by “Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) installed at Pennsylvania Avenue chose Karine Jean-Pierre as its press secretary.
In a way, despite her demonstrated shortcomings, “Karine Jean-Pierre” – purported to be the first ‘woman of color’ and openly LGBTQ person to be appointed White House press secretary – represents the perfect facade the current presidential administration required to insulate themselves from public criticism of their policies.
Regarding “Joe Biden”, the MSM is still laboriously promoting a misleading narrative, that he may be mentally unfit to continue in office, that he is too old and decrepit to withstand another campaign bid for the US presidency.
Rest assured, this is pure bunk, designed to blatantly manipulate and control the perceptions of the American public.
“Joe Biden” (AKA Brian Williams/Prince Stefano Casiraghi Grimaldi of Monaco) is an accomplished actor following a scripted plan to implement the UN’s genocidal Agenda 2030/2050, a plan engineered decades ago.
Agenda 2030/2050’s global implementation is dictated from the top down by Crown Temple bankers/esquires in the City of London, Swiss banking consortium principals, and the Superior General of the Jesuit order at Vatican City in Rome.
The ultimate purpose of this ongoing MSM narrative, of course, is to promote the perception that national sovereign governments – as in this case, the US corporate government – aren’t sufficiently equipped to address much less solve manufactured “crises” such as “climate change” or the Covid-19 “pandemic”.
While openly promoting the prevailing narrative “Joe Biden” appears feeble and mentally unfit, the MSM’s ulterior motive is to covertly help solidify the perception that only global governing structures such as the United Nations can step in to solve “global” crises in lieu of sovereign corporate governments.
After taking the podium in the White House press room to recite scripted responses written for her in a notebook binder, a rather entertaining, amusing, and ongoing drama between “Karine Jean-Pierre” – touted as the first ‘woman of color’ and the first openly LGBTQ person to be named White House press secretary – and the FOX (666) News White House correspondent known as “Peter Doocy” soon developed.
Below: Peter Doocy
But some Americans – at least those with memories still functioning at nominal levels – have observed these pair of actors, one of which has an acting resume with connections to Disney, playing out scripted roles in similarly manufactured television dramas before.
Never considered why the public, time and again, has been so easily duped by the MSM?
Over successive decades, the MSM in combination with the well-organized, systematic, and strategic deployment of the internet’s digital algorithms have served to incrementally and psychologically condition humanity and its perceptions of “reality”.
The MSM, consisting of format standardized corporate mainstream radio, television, magazine and book publications, is owned and monopolized by historically ancient Jesuit families such as the Orsini, Aldobrandini, Farnese, von Furstenberg, Grimaldi, Savoy, Borgia, Massimo, and the royal House of Saxe-Coburg-Gotha (AKA Windsor, Rockefeller, Rothschild) who have pledged an oath of fealty to Vatican City in Rome controlled by the Superior General of the Jesuit order or Society of Jesus whom monitor and control the narrative content broadcasted by the MSM.
To what end?
To not only foster the perception of social confusion, political division, and societal chaos which can only be resolved by the authoritative order of corporate “governments” presiding over countries (AKA exploitable commercial markets), but to also condition humanity to the idea there are no moral or intellectual absolutes other than what “AUTHORITY” has decided to rigidly define at any given moment.
This is routinely done so that the thirteen ruling Jesuit families, through the enactment of laws and ratified treaties, can more completely bolster and solidify their control over human and natural resources and the means of global commercial/industrial production.
This unfolding incremental process, in combination with the deliberate and theatrical simulation of what are reported as “news” events, is how the solipsistic philosophy of post-modernism has come to prevail over the “common” man in modern times. To the point where, as of late, no one, not even those in positions of so-called “AUTHORITY” is able or “allowed” to adequately define the concept of gender or of objective reality itself.
However, once the UN’s Agenda 2030/2050 (AKA depopulation/population control) and the “Internet of Things” have been implemented and globally standardized, the concept of “gender” will be legally redefined.
At that point in time, human reproduction will be legally subject to a globally standardized licensing process and human DNA will have become the sole ownership province and property of the STATE.
The MSM – known as a repeated perpetrator of Post-Modern Reality Simulation – will have played a key role in bringing this state of “REALITY” to ultimate fruition.
Historically, when it comes to manipulating the perceptions of the general public, one of the MSMs chief methods of operation is through the promotion of “war.”
Case in point?
An article published at bussinessinsider.com on April 13, 2022, reported the following: “A bright, talented Ukrainian journalist signed up to help Fox News cover the war. Two months later she was dead.”
But as usual and without exception, what are generally perceived to be unquestionable “facts” reported by MSM sources turn out to be dubious, and ultimately false.
For one, upon further investigation, the “bright, talented Ukrainian” to which businessinsider.com refers was not a “journalist” but a film producer.
Secondly, it turns out, “she” – “Oleksandra ‘Sasha’ Kuvshynova” – is far from “dead”.
In fact, one’s investigation into this particular news story proceeded towards a dizzying array of connections between Fox News, Ukrainian film studios, a New York City modeling agency, and a Hollywood actress who has already been identified as a perpetrator of Post-Modern Reality Simulation in relation to the “war” in Ukraine.
By now, mostly everyone – those who’ve maintained attentiveness and have managed to remain undizzied by the MSM’s perpetual carousel of news spin – is well aware of the infamous Pfizer pdf document marked “confidential” which was recently made public.
Reportedly, Pfizer’s confidential documentation includes a virtual laundry list – several pages worth, in fact – of potentially lethal side effects associated with the pharmaceutical giant’s mNRA Covid-19 “vaccine” (AKA gene therapy delivery).
Safe and effective?
No, certainly not.
A fact which – given the gullible public’s uniform credence to the MSM’s shrill toned Covid-19 propaganda – could be considered darkly comical if it were not so tragic.
However, as others have surely and duly noted, given that this document was “leaked” out to the public while simultaneously the MSM went full throttle with its war propaganda machine, the timing seemed cleverly if not nefariously preplanned.
But along with this, there also exists yet another consideration.
Given the fact, during the execution of the Covid-19 psychological operation, Pfizer, Moderna, Johnson & Johnson and other Big Pharma “vaccine” manufacturers were provided complete prosecutorial and legal immunity from the US corporate government, it appears, at this particular point in time, the executives at Pfizer felt they had nothing to lose.
In which case, the deliberate leaking of such damning information appears to have been borne out of a subtle if not especially malicious intention.
It was almost as if Pfizer’s executives, while secretly gloating at their astounding success, were attempting, in a most passive aggressive manner and in a quiet but no less threatening tone, to signal to a mostly confused general public whom they knew had been deliberately duped and deceived: Yes, folks, we were hired as professional hitmen, to commit genocide on behalf of the US corporate government – but exactly what are you going to dare do about it now that most of you have been foolish enough in choosing to take our “vaccine”?
Of course, all along, for more than the last two years and on behalf of the Crown Temple bankers in the City of London and the Society of Jesus in control of Vatican City, the MSM has been complicit with Pfizer and Big Pharma in their execution of the Covid-19 psychological operation. And they did so because, since the beginning of the Covid-19 “pandemic”, Pfizer accounted for most of their profitable advertising revenue.
In fact, now, one of the MSM’s own – a popular Fox News anchor and commentator who was trained as an attorney and, before her success as a news anchor, had worked as a law clerk in the office of Supreme Court Justice Clarence Thomas – has been caught and exposed in portrayal of a cruel impostor, one who, while certainly well-disguised, has been cast in the role of CDC Director “Rochelle Walensky”.
But that’s not all.
The man alleged to be her “spouse” is not a ‘doctor’, but has been identified as a supreme court justice, a man who was previously involved in yet another of the MSM’s psychological operations, involving a woman by the name of “Christine Blasey Ford” who accused him of sexual misconduct.
Since 1981, when he was elected as mayor of Burlington, Vermont, “Bernie Sanders” has enjoyed a long career in American politics.
After his stint as mayor of Burlington, Vermont, Sanders went on to become the longest-serving “independent” in the US House of Representatives and in the US Senate.
Most recently, of course, Sanders was a candidate for the US presidency.
Though, over the course of his decades-long career in American high politics, Sanders has been ideologically classified as an “independent”, during his recent presidential campaign, Sanders made no secret of the fact he favors what is termed “democratic socialism”.
It turns out, however, upon further investigation, Sanders should be classified as a political fraud.
In fact, “Bernie Sanders” is about as real as Bugs Bunny, Mickey Mouse, or Donald Duck.
Unfortunately, or, rather, ironically, the dramatic and often disastrous consequences of Sanders’s socialist political posturing – performed in service to his Jesuit masters and to the widespread promotion of the UN’s “sustainability” goals as documented in Agenda 2030 – are frighteningly all-too-real.
In other words, the political persona of “Bernie Sanders” exists as yet another media-driven fabricated character scheme portrayed by a hidden European royal who – like others of his ilk among the thirteen ruling elite Jesuit families – covertly seeks to transform the world into a depopulated technocratic fiefdom.
In addition to the fabricated character scheme known to the American public as “Bernie Sanders”, the European royal identified as Sanders’s host actor (live-action role player) has also been modified into the renowned merchant banker known as “Evelyn de Rothschild”.
Turns out, too, “Evelyn de Rothschild” and his family are an historical fabrication, a grand cover for the covert geopolitical maneuverings of the royal House of Saxe-Coburg-Gotha and their Jesuit masters at the Vatican, in Rome, to whom they have sworn eternal fealty.
Better to say, as well, “Rothschild” is but one of a plethora of pseudonyms associated with a bevy of well-known fabricated character schemes which, over the decades, the European royal identified as the host actor in portrayal of “Bernie Sanders” (AKA “Evelyn de Rothschild”) has hidden behind.
** ** King Constantine Of Greece Arriving At A Gala Dinner At Christiansborg Palace To Celebrate 40 Years On The Throne Of Queen Margrethe Ii Of Denmark In Copenhagen, Denmark. (Photo by Julian Parker/Mark Cuthbert/UK Press via Getty Images)
Still more incredibly, everyone may have also seen this European royal – the host actor (live-action role player) modified into the fabricated character schemes known as “Bernie Sanders”, “Evelyn de Rothschild” and others – starring on their television screens as a popular MSM anchorman and “journalist”.
Yet another fabricated character scheme portrayed by this European royal is George Soros, the internationally infamous financier.
Documentation from the Security and Exchange Commission reveals that Soros Fund Management LLC invested heavily in Biotech Research prior to the Covid-19 “pandemic”.
But there’ll be more on the latter story a bit later.
Like other dynastic family names best-known to American public life – Nixon, Kennedy, Clinton, for example – the Rothschild name has proved to be an historical fabrication.
Behind this dynastic family pseudonym hides the royal House of Saxe-Coburg-Gotha (AKA Windsor), one of the majority proprietors of the US corporation.
After all, better to have the public believe in fabricated billionaire dynastic families who can not only be “elected” and hold political office to take the brunt of the public’s ire as manufactured scapegoats, than to have everyone discover the entire political structure of the US corporation is merely distractive theater, designed to conceal the identities of European royals still ruling over them while sworn in fealty to the Vatican controlled by the Jesuit order.
For centuries, those among the Jesuit order have utilized the concept of political theater to not only hide America’s true owners but to better hide the sinister intentions of their political and social agendas.
As shall soon be proved, the European royal discovered behind the mask of “Bernie Sanders” – a grand perpetrator of Post-Modern Reality Simulation – knows of this all-too-well.
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