Just when you think there could be limits to a politician’s deceitful treachery, one is reminded no such defining boundaries exist for Washington’s insufferable cretins.
It appears – before “Paul Pelosi” (AKA Roger Vadim) became embroiled in an MSM-manufactured “hammer attack” scenario – U.S. House Speaker “Nancy Pelosi” (AKA Jane Fonda/Dolly Parton/Princess Lee Bouvier Kennedy Radziwill) had been acting as a Jesuit-trained CIA psychological operations specialist for far longer than previously imagined.
Turns out, when it comes to considering the phenomenon of Post-Modern Reality Simulation, “Nancy Pelosi” (AKA Princess Lee Bouvier Kennedy Radziwill) – going back as far as the 1960’s “counter-culture” era while acting under the Hollywood pseudonym “Jane Fonda” – is a veteran perpetrator.
Further and extensive investigation has revealed that, even more recently, back in 2012, “Nancy Pelosi” was cast in not just one of the starring roles associated with the Sandy Hook Elementary “massacre”, a heavily promoted MSM-driven gun control psychological operation, but – believe it not – two.
Not only that, but one of Jane Fonda’s Hollywood colleagues played a role in that same psychological operation – as observed in the video excerpt posted immediately below – cast as “Sally Cox,” Sandy Hook Elementary’s “school nurse”.
While watching the video, everyone will notice, “Sally Cox” is being interviewed by George Stephanopoulos (AKA Hollywood actor Michael J. Fox/Bryan Adams).
Below from L to R: George Stephanopoulos, Michael J. Fox, Bryan Adams
Facial recognition and image comparison analysis indicates “Sally Cox” was an MSM-created fabricated character scheme portrayed by Hollywood actress Glenn Close. In the second set of images posted below, everyone will begin to notice the conspicuously identical geometrical structures of the eyes, jawlines, chins, lips, and noses. The architectural, structural geometry of the respective cheekbones are also identical.
Below from L to R: Glenn Close, Sally Cox
But as everyone shall soon observe, it was U.S. House Speaker “Nancy Pelosi” who, while cast in the same psychological operation at Sandy Hook Elementary in Newtown, Connecticut under a pseudonym with occult significance, was subsequently and uniformly depicted by the MSM as a “brave” heroine”.
In fact, to be more precise, “Jeff Bezos” is an impostor, a Hollywood derived actor in disguise, the hidden son of yet another renowned Hollywood actor, the “late” Burt Reynolds (AKA Marlon Brando/Doctor Phil McGraw/Dabney Coleman), who, in turn, is the son of Hollywood actor Rod Steiger (AKA Raymond Burr/Howard Cosell/Lou Abbott/Mikhail Gorbachev/Milton Friedman).
Reynolds, everyone will surely recall, was also identified as the live-action role player behind the portrayal of Russian Premiere “Vladimir Putin”. Bezos hidden grandfather – Rod Steiger – meanwhile, was identified as the live-action role player behind former Russian premiere “Mikhail Gorbachev”.
The hidden mother of the Hollywood actor identified in portrayal of “Jeff Bezos” is Lonnie Anderson (AKA Sally Field), a Hollywood actress who is also no stranger to the concept of Post-Modern Reality Simulation.
While making ocular comparisons between the pair of images featured below, everyone will eventually determine – due to identical geometrical symmetry of the teeth, lips, chins, noses, cheekbones, brows, and lower epidermal portions of the ears – that “Lonnie Anderson” is a fabricated character scheme modified – with blonde hair dye and strategically placed makeup applications – from Hollywood actress Sally Fiield.
Both Hollywood actresses were, of course, joined in matrimony with Burt Reynolds (AKA Marlon Brando/Vladimir Putin).
But there’s much more to this story.
Because both the public persona and “official” biographical narrative associated with “Jeff Bezos” was fabricated by CIA in cooperation with the US military/industrial complex, specifically, the US Department of Defense, of which NASA and United States Space Force are subdivisions.
Not coincidentally, both organizations – NASA and USSF – are also chief investors of Blue Origin, Bezos’s private aerospace venture.
The historical veracity attached to the “official” story of “Yuri Gagarin” – uniformly alleged by the MSM and published historical accounts to have been the first human in space – crumbles under greater scrutiny.
Reportedly, before the historic launch of NASA’s Apollo 11, Gagarin died under what can only be described as mysterious circumstances.
There was a very good reason, however, as to why the pioneering Russian cosmonaut’s “death” was kept shrouded in such mystery and intrigue by the MSM.
Turns out, upon further investigation – as confirmed via extensive ear biometric, facial recognition, and image comparison analyses – “Yuri Gagarin”, pronounced as tragically “dead” before Apollo’s maiden but mythical voyage, was resurrected in 1969 as one of NASA’s Apollo 11 “astronauts”, and became the first human alleged to have stepped on the surface of the moon.
Below L to R: Yuri Gagarin, Neil Armstrong
As to the genuine identity of the other pair of NASA’s Apollo 11 “astronauts” alleged to have been launched into space in 1969, further investigation confirms, “Buzz Aldrin” and “Michael Collins” were both fabricated character schemes portrayed by Hollywood actors.
The Hollywood actor identified in portrayal of the former – “Buzz Aldrin” – had previously worked with Stanley Kubrick, one of Hollywood’s most highly touted cinema directors.
While acting under different but renowned pseudonyms, the Hollywood actor identified in portrayal of arguably the least heralded of NASA’s Apollo 11 “astronauts” – “Michael Collins” – went on to star with Dennis Hopper (AKA JFK) in Easy Rider and to star with Burt Reynolds (AKA Marlon Brando/television doctor Phil McGraw/television actor Dabney Coleman/Vladimir Putin) in Deliverance.
As was pointed out in a previously published article, “Doctor Phil McGraw” is also the hidden father of popular internet personality/podcaster Del Bigtree (AKA Quentin Anderson Reynolds/John Wayne Bobbitt/Doctor Drew Pinsky/Kevin Spacey/Jeff Bezos).
As everyone shall soon learn, “Buzz Aldrin” and his NASA colleague “Michael Collins” never left earth in 1969. Their interplanetary communications, which the MSM alleges were sent from the Apollo space craft on the moon to NASA’s mission control, including the famous words spoken by “Neil Armstrong” in a solemn tone of overwrought melodrama – “One small step for man, one giant leap for mankind” – were prerecorded for what was essentially a prime-time television production, the equivalent of 21st century “reality” television.
Though still unknown to a majority of the American public, NASA operates under the umbrella of the US Department of Defense and is nothing more than a Hollywood-styled movie/television production studio disguised as an organization dedicated to astronomical study and scientific discovery.
Since the time of its inception and for its entire duration, Hollywood has covertly operated as a purveying agent of US corporate government propaganda, and has always worked in proximity with the US military/industrial complex and performed at the dictatorial behest of Jesuit controlled CIA.
Therefore, the genuine nature of NASA is synonymous with that of Hollywood, with both operating as propaganda arms and subsidiary divisions of the US Department of Defense.
Names, faces, and personas can be modified but the actors behind the disguises seem to never change.
Then again, most high-level US corporate government officials, as well as those in other countries, have proved to be actors following scripts.
The following video clip represents a dramatic illustration. Everyone will immediately recognize the content of the speeches given by both the Canadian and British politicians appear identical and to have been derived from a centralized source.
However, most of these actors are rarely privy to the nuances of the policymaking process. Nor, despite appearances to the contrary, do most of them possess the intellectual capacity to explain in detail the intricate nuances of the government policies they have been charged with selling to the public.
Assuredly, if and when pressured to go beyond the limitations of their individual scripts, most would fumble and proceed to embarrassingly fold like a cheap suit.
Why should this be so?
Because even though some of the most trusted and even talented intelligence trained assets who often appear on television may be counted among the exclusive membership of the Council on Foreign Relations and other Jesuit-controlled think tanks, policymaking groups, Senate and Congressional committees, the actor’s knowledge is often highly compartmentalized.
More often than not, the actor only knows what they need to know to perform the functions of the job they’ve been tasked with.
Through the force of their fabricated personas while regurgitating assigned “talking points” and staying “on message”, the actor’s chief objective is to effectively sell government policies to the general public. The emanations of government policy derive, not from the minds of public figures, but from Jesuit-controlled Vatican City, the Crown Temple located in the City of London, and from the Swiss banking consortium which includes the IMF (International Monetary Fund) and the World Bank.
Then, through consensus, public private partnerships cemented by mutual self-interests – between NGO’s (Non-Government Organizations), Fortune 500 corporations, non-profit organizations and private foundations, and the US corporate government – conspire to execute centrally controlled global policies (ideas), molding them into solid material reality.
Though the public has been conditioned to perceive otherwise, the aforementioned elements do indeed conspire together. Contrary to the opinion of many, there exists no supernatural influence guiding this intricate process. Time and again, analyses based on extensive research demonstrates, those belonging to the thirteen ruling Jesuit bloodlines worship but one God – the hegemonic expansion of global power.
In-depth investigation has also shown, a majority of US presidents, both past and present, possessed genealogical connections to European and British royalty. As well, actors and intelligence-trained assets permeating the three branches of the US corporate government routinely perform under pseudonyms to conceal their genealogical connections either to royalty or to European aristocracy and nobility.
The current US Secretary of State – “Antony Blinken” – has proved to be no exception.
The highly skilled actor/entertainer portraying “Antony Blinken” is not only a serial perpetrator of Post-Modern Reality Simulation, but he is also the hidden son of “Madeleine Albright” who served as Secretary of the US Department of State which, for all intents and purposes, is nothing more than a public relations firm to promote and market the covert interests of US corporate government foreign policy.
But as has been illustrated before, the modified actors behind the masks cannot help but give away clues as to their genuine identities and, in the process, also can’t resist mocking the naivete of the general public.
According to Wikipedia, “Anthony Blinken” plays in a band dubbed A Blinken, a play on the name of former US president Abe Lincoln.
The video clip posted below features Antony Blinken’s appearance on the Stephen Colbert late-night talk fest. During the course of the interview, Blinken’s hammy regurgitation of well-rehearsed talking points proves par for the course. As everyone will observe though, at the very end of the clip, “Antony Blinken” performs on guitar, giving us a clue as to the actor/entertainer’s regular line of work.
There is a passage in the document Silent Weapons for Quiet Wars which states, “The quality of education given to the lower class must be of the poorest sort, so that the level of ignorance isolating the inferior class from the superior class is and remains incomprehensible to the inferior class. With such an initial handicap, even bright lower-class individuals have little if any hope of extricating themselves from their assigned lot in life.”
This is the very idea, both inconceivable and dreadful, the unspoken truth deeply buried, an unextractable hook which barbs the collective subconscious. But to persist, to survive, the masses must shrink at all costs from this terrible haunting specter lurking just beneath the conscious mind’s eggshell surface, ignore the albatross of their invisible but binding chains.
From time to time, though this bane of modern life, this persistent thorn may resolve to prick the largely apathetic public’s conscience, the proletariat, whom are considered by the thirteen ruling elite Jesuit families as nothing more than human capital/commercial resources farmed for taxes derived from their labor energy, must somehow endeavor to endure, salving nagging pain with pretended smiles, too fearful to ever consider they are merely disposable bonded property branded with a number, no better than livestock to be bought and sold in the marketplace, resigned to owning nothing while feigning happiness.
Little do most American citizens realize, everything written in the American public school history texts regarding the nation’s founding and the true nature of its founders, most of whom were esquires (AKA attorneys) sworn to the Crown Temple in the City of London, is a deliberate and manifest lie.
Under United States Code title 28 3002 (a) (b) (c), the United States (AKA Washington D.C./Virginia Company) is a corporation. According to Padelford Fay & Co. v. The Mayor and Alderman of the City of Savannah 14 Georgia 438,520, citizens cannot legally use the US constitution to defend themselves in a court of Admiralty Law because, in addition, according to Barron v. Mayor and City of Baltimore 32 U.S. 243, the term “People” does not specifically apply to US citizens.
Due to the Act of 1871, (Forty-First Congress, Section 34, Session III, Chapters 61 and 62) a separate form of government was created for the District of Columbia, a ten-mile parcel of land governed with Admiralty Law administered by the Crown Temple in the City of London (AKA one square mile) meaning, only the private law merchant representatives inhabiting it were considered a legal party to the US constitution.
Long before this, however, the Virginia Company was established as a joint stock venture in 1604 during the reign of King James I, who was also the company’s majority stockholder.
Under the Virginia Charter of April 10, 1606, the legal terms and conditions of which are still in effect today, the Virginia Company owned most of the land now known as the United States of America. The terms and conditions of the Virginia Charter stipulated that the Company, the majority stockholders of which are the thirteen Jesuit families including the British royal House of Saxe-Coburg-Gotha (AKA Windsor/Hanover/Rockefeller/Rothschild), had rights to fifty percent of all gold and silver mined from the lands, significant percentages of other minerals and raw materials, as well as more than five percent of other future joint stock ventures.
The terms and conditions of the Virginia Charter also stipulated that the lands owned by Virginia Company were to be granted to the colonies under a deed of Trust (AKA on lease). Therefore, though the deed holders could pass on the perpetual use of the land to their heirs or sell the perpetual use, they could never own it through Allodial title, which, according to senate document 43 73rd congress 1st session, is retained by the British Crown.
To-this-day, all taxes, duties, fees, penalties, and imposts paid on commercial trading activities in the colonies are paid directly to the British crown through the crown treasurer. The British crown and Britain, meanwhile, are owned by the Vatican (Treaty of 1213) controlled by the Jesuit order and its Superior General (AKA Black Pope).
Believe it or not, the most powerful court in America is not the United States Supreme Court, but the Supreme Court of the State of Pennsylvania, known as the keystone state. As documented previously, the United States Supreme Court has proved to be filled with fabricated character schemes, including Justice Antonin Scalia (AKA Hollywood actor George Clooney) and Ruth Bader Ginsberg (AKA Candace Bergen).
The pope, according to Elements of Ecclesiastical Law Vol.1 53-54, can abolish any law in the United States. Furthermore, according to Bened. XIV De Syn. Dioec, lib ix., e. VII, N. 4 Prati, 1844 (Syllabus prop 28,29,44), the pope’s laws are obligatory on everyone.
According to the Vatican controlled IRS and its publication numbered 6209, the 1040 tax form is a tribute paid to Britian and, furthermore, according to Tillman v. Roberts 108 so. 62, Van Koten v. Van Koten 154 N.E. 146, senate document 43 & 73rd congress second session, Wynehamer v. People 13 N.Y. REP 278, 481, Americans are slave to the queen and own nothing. Queen Elizabeth II (AKA Lucille Ball) has control over and has amended social security (SI 1997 No. 1778) which, according to Helvering v. Davis 301 US 619, Steward Co. v. Davis 301 US 548, is neither an insurance, a contract, or a Trust Fund.
When Americans give their consent to acquire a social security number, in legal terms, they have surrendered their sovereignty and agreed to become franchises of the United States corporation (AKA the Virginia Company of the British Crown) and, according to Executive Order 13037, human capital represented by a bond (AKA birth certificate). According to Executive Order 12803, bonded human capital, along with roads, bridges, schools, hospitals, water, prisons, and airports, etc. etc., can be commercially sold and traded.
To put it another way, Americans are commercial livestock managed by the Vatican controlled IRS which oversees the flocks, while the US corporation (AKA District of Columbia/Virginia Company) takes care of the herd grazing the plantation owned by the British Crown and governed by the Rule of Admiralty Law administered by the Crown Temple in the City of London and its Four Courts of Inn and the centralized banking policies of the SNB (Swiss National Banking system which includes the subsidiary Federal Reserve). The Pope and the Vatican controlled by the Jesuit order, meanwhile, according to ancient Roman Law – the derivation of which emanates from ancient Babylon – holds absolute legal dominion over the plantation and the human and natural resources contained therein in all odium.
Some decades ago, in an effort to keep the masses distracted from ever thinking about withdrawing their consent from such a wretched status quo, NASA, the glorified Hollywood movie production studio disguised as a body of astronomical scientific discovery, was created.
Recently, according to nasa.gov, Florida senator and former Space Shuttle “astronaut” Bill Nelson was sworn in as the 14th NASA administrator, “tasked with carrying out the Biden-Harris administration’s vision for the agency.”
Though many may not be familiar with either Senator “Bill Nelson” or his former career as a NASA “astronaut”, assuredly, you may have seen his face before, when he was better known by other more famous identities such as Playboy magazine founder Hugh Hefner and pop singer Pat Boone.
But that’s not all.
As everyone shall soon discover, “Ron Desantis”, the current “elected” governor of Florida, the sunshine state, is also an imposter, a fabricated character scheme portrayed by a popular podcaster.
In what would appear to be an unprecedented political maneuver, the governor of Ohio, Mike DeWine, has made an offer of one million dollars – along with free college tuition and other commercially-oriented perquisites – to incentivize Ohioans, especially those perceived to harbor what has been termed “vaccine hesitancy”, into willingly accepting the “coronavirus vaccine”.
One supposes, DeWine – or, rather, his masters belonging to the highest echelons of the Society of Jesus, the Jesuit order – is counting on the fact the residents of Ohio are too obtuse to have figured out that, according to page 1051 of the AMA (American Medical Association) Encyclopedia (1989 edition), the term “coronavirus” is synonymous with what was formerly known as the common cold or flu.
Indeed, Don Corleone, the fictional but ruthless mob boss of Hollywood’s ‘the Godfather’, would be proud to learn of DeWine’s clever strategy in offering the citizens of his state what was, no doubt beforehand, perceived as ‘an offer they can’t refuse’.
From all that we have learned, thus far, about the genuine motivations behind the Jesuit-executed Covid-19 psychological operation, DeWine’s proposal smacks of an exercise in cynicism, if not utter desperation.
Turns out, too, however, like Don Corleone, “Mike DeWine”, the reigning governor of Ohio, exists as a fictional character, a fabricated character scheme portrayed by a Hollywood actor.
Everyone should look very closely at the image posted below.
Has everyone seen this guy somewhere before?
Does he, at all, appear familiar?
To everyone, especially those who spent their formative years during the era of the 1980’s, the Governor of Ohio, known to the American public as “Mike DeWine”, should, indeed, appear familiar.
Immediately below, everyone shall observe a video excerpt from a popular movie of the 1980’s.
Somebody, though, should speak up and tell the high school teacher, featured in the following video clip, taking classroom role call that the location of “Bueller” has been discovered.
The Hollywood actor who was once cast in the role of “Bueller” has now been busted, caught out as the host actor (live-action role player) in portrayal of Ohio Governor “Mike DeWine”.
It is no coincidence that those in positions of high-profile politics are also Hollywood actors and popular music stars, those whom have been thoroughly trained – in many cases from childhood while in attendance at the world’s finest performing arts schools – to seduce and hold an audience’s attentions captive.
Neither is it coincidental, these same popular entertainers are also descendants of the thirteen, ruling elite Jesuit families, those whom are also the owners of Hollywood’s largest movie production corporations and of the US corporation.
The White House and, to a larger extent, the entire American political complex, is nothing more than a movie set, designed as a theatrical set piece.
The president, or commander-in-chief, is nothing more than a high-level and high-pressure salesman portrayed by an actor, hired to sell policies to the general public, the planning, execution, and implementation of which are decided upon by the president’s masters, the Jesuit order in Rome, many of whom also reside at Georgetown University, CIA headquarters, and at the Pentagon.
All of these institutions exist as Jesuit military fortresses and war rooms.
According to Wikipedia and other “official” biographies, “Bill Clinton” attended both Georgetown University (a Jesuit-founded institution) and Yale University, the home of the notorious masonic-oriented fraternity Skull and Bones.
During the era of the 1990’s, “Bill Clinton” was “elected” to serve two consecutive terms as “president” of the US corporation. Though his eight-year presidential tenure was marred by controversy – the “Monica Lewinsky” scandal, for example – “William Jefferson Clinton” is still considered, due to the congenial and gregarious demeanor he often publicly displayed, to have been one of America’s most popular chief executives of the modern era.
But as shall soon be proved, Clinton’s entire tenure as US president, while basking in the public limelight, was a well-scripted theatrical canard, and acted out by a well-trained and experienced performer in the Hollywood television and music industries, corporate assets of which the host actor’s royal family – royal House of Nassau-Wellberg and House of Bourbon-Parma – also happen to be majority shareholders.
It is also no coincidence, the country where this royal family resides – Luxembourg – is well-known as an off-shore banking haven for tax-free hidden assets and the proceeds from American campaign contributions which violate campaign finance laws.
Nevertheless, at least for those numbered among the royal ranks of the thirteen Jesuit families, laws are made precisely so they can be summarily broken.
Their masses of royal subjects, whom are legally owned in abject and terminal slavery, are, of course, held to a different standard and must unquestioningly abide, or else.
In fact, the royal host actor (live-action role player) who portrayed the ex-American president known to the American public as “William Jefferson Clinton” has deep genealogical connections to America’s ‘founding fathers’ and to royal figures of the distant past, stretching back to the year 1066.
The entire “Monica Lewinsky” scandal – which, at the time, was said to have marked a blight on Clinton’s presidential legacy – was purposefully designed by the Jesuit order – whom, for centuries, have been the undisputed masters of psychological warfare – as a moral, sociological, and psychological behavioral beta test.
In retrospect, this “scandal” tectonically shifted the accepted sexual, moral, and behavioral paradigm of traditional marital relations, and also served to negatively chip away at the already crumbling moral foundation of the American nuclear family.
Before then, and very soon after Clinton’s inauguration in January of 1993, the infamous “siege” at the Branch Davidian compound in Waco, Texas took place.
Turns out, upon further investigation, the media-created boogeyman protagonist for that concocted news story, “David Koresh”, also existed as a purely fabricated character scheme.
Ironically, the results of image comparison, ear biometric, and facial recognition analyses have confirmed “David Koresh” was portrayed by the identical royal host actor – the very same European royal – whom still, to-this-day, portrays ex-US president “William Jefferson Clinton”.
Still later on, during Clinton’s tenure, came the “bombing” of the Murrah Federal Building in Oklahoma, yet another government created and executed psychological operation which had the intent of cementing the idea of “domestic terrorism” in the minds of the American general public, and to siphon more tax dollars for the creation of an even larger national security apparatus.
Nevertheless, most Americans, especially those belonging to the ‘baby boom’ generation, had seen the face of “Slick Willie” on television before, and long before he ever appeared as a major figure on the grand stage of American politics.
As everyone, by now, is likely to be aware, the man known to the American public as “Bill Clinton” most recently appeared in a bit of sanctimonious and emotionally cloying Covid-19 propaganda, urging Americans to get vaccinated.
But this, after all, is not wholly unsurprising.
The Bill and Melinda Gates Foundation happens to be the largest contributor to the Clinton Foundation’s coffers.
Yet another novel attraction has been brought into the carnival known as American politics.
Rest assured, though the American public has been repeatedly told of her glittering biographical backstory, “Kamala Harris” – recently named as the official running mate of democratic presidential nominee “Joe Biden” – is a phantom made to appear as material living color, a popular image created for the grand theatrical stage which we have come to recognize as the phenomenon of Post-Modern Reality Simulation.
Yes, folks, “Kamala” is a fabricated character scheme currently portrayed by a Hollywood actress, one who has co-starred in cinematic productions with the likes of Liam Neeson, Leonardo di Caprio, and the Jesuit trained (Fordham University) Denzel Washington.
Furthermore, there exists circumstantial evidence, her political character’s pseudonym was drawn from, or, perhaps, was inspired by the name of a fictional movie character portrayed by a child actor who, in 2019, co-starred with Kamala Harris’s host actor.
Though the “official” biographies of “Kamala Harris” tell us her racial profile derives from Indian and African-American emanations, these details have merely been scripted and tailormade for a fabricated character scheme.
In fact, as shall be proved – like Barack Obama (AKA Jerry Seinfeld) – the biographical racial profile attributed to the fabricated characterization(s) of “Kamala Harris” is fraudulent, a cynical manipulation which was designed for the purpose of political image making.
The recent events, which have been so prominently promoted and featured by the MSM, were not organic in nature.
Neither did they come about by happenstance or coincidence.
No folks, they were systematically well-planned.
The Jesuit order loves nothing more than to use theatrical spectacle in the service of propaganda.
In addition to their other recent psychological operations, what is it, these loyal Emissaries of Satan have offered to us now?
A Grand Guignol spectacle set in the American West, in Seattle, Washington.
The creation of this ‘revolutionary’ spectacle – what appears to have been the takeover of a six block region of downtown Seattle, Washington by a group of Marxist-trained agent provocateurs – clearly signals that America is now in the throes of destabilizing crisis.
Historically, the Jesuit playbook of psychological warfare is executed in four stages: 1.) Demoralization, 2.) Destabilization, 3.) Crisis/Revolution, and, finally, 4.) Normalization.
In this installment – as they relate to the smooth execution of the Covid-19 psychological operation and the “sovereign” establishment of “Chop” within the borders of the US – each phase has been described accompanied by a brief analysis.
As alluded to previously, the Covid-19 psychological operation was well-planned long before its execution, and this meticulous planning involved the implementation of a revolutionary philosophy of redistribution of wealth termed the Cloward-Piven strategy.
Ironically, this very philosophy of psychological warfare – the Cloward-Piven Strategy – was once reported by a member of the royal thirteen Jesuit families disguised as a well-known and heavily promoted alternative news personality.
Placing the substance of genuinely valuable information into the mouths of high-profile agitators – only later maneuvering to discredit them – has been, for centuries, an effective method of subversive psychological operation used by the Jesuit order.