LA Fire ‘Sykes’ out America

LA Fire ‘Sykes’ out America

Magic is the art of creating illusions, the successful performance of which relies primarily on distracting, diverting attention through deliberate and oftentimes elaborate sleight of hand. The creation of magical illusions is successfully performed only when the targeted audience’s perception has been adequately manipulated. Upon falling susceptible to the magician’s hypnosis, the deceived audience believes the created illusion is material reality. Accordingly, it could be said that while utilizing the power of audio-visual suggestion, by effectively employing neurolinguistic programming – hypnosis by another name – both the mainstream and ‘alternative’ news media consist of nothing more than illusionists, practitioners of what could be described as magic.

Recently, one of the most theatrically stage-managed magic tricks, illusions (aka psychological operations) was created in Los Angeles, California, manifesting in the form of what appeared to be a massive firestorm catalyzed by high winds which reportedly engulfed the city, surrounding environs.

Upon further examination, as has been revealed by past investigations into similar events – SEE: MSM’s Climate Propaganda up in Flame – all of the related images derived from drone footage of the LA fire and what was alleged to be the subsequent damage to property, residences were without exception demonstrated to be CGI/photo shopped simulations/modifications, while videos broadcasted by corporate MSM sources appeared to have been created by VFX/GAN’S (Generative Adversarial Networks). While both during the ‘event’ and in the wake of the alleged fire’s aftermath meticulously but badly scripted narratives were served up to the public by the MSM (DEI hires in the LA fire department, incompetence of public officials) and the ‘alternative’ media (DEW weapons), complete with blame assigned to scapegoated California public officials – including California’s fake puppet governor, “Gavin Newsom” (aka Ron Goldman/Hollywood actor Matt Lattanzi) – all of which could be easily detected as transparent nonsense, there was also a faked death scenario involving a former child actor, Rory Sykes, son of Shelley Sykes, a very low grade Australian reality television actress, one with a rather varied and interesting biographical resume who bears a striking resemblance to a legendary British star of both stage and screen.

Below from L to R: Shelley, Rory Sykes

But before addressing the story involving the professional acting troupe known as the Sykes family, the MSM’s reportage relating to the LA fires shall be sent – as it were – up in flames.  

Continue reading “LA Fire ‘Sykes’ out America”

Royal Minstrel Show Still Rolling

Royal Minstrel Show Still Rolling

When considering their incomparable longevity, historical place in popular music’s pantheon, the Rolling Stones could be characterized as the enduring deities of Mount Olympus among a multitude of mere mortals. Indeed, after more than fifty years of hitmaking, while having embarked upon their latest tour in 2024, the band still exudes, projects an image of indefatigable vitality, preternatural vigor. While nearly all of their remaining classic rock contemporaries wheeze like winded mules while pathetically attempting to clutch renewed glory from the past’s fading shadows, the legendary luster of the ‘glimmer twins’ – Keith Richards, Mick Jagger – remains still largely undiminished.

But by no means should this be construed as hagiography.

On the contrary, the popular music industry, controlled from the top down by the Jesuit military order (AKA Knights Templar), continues to be utilized as a soft power weapon of psychological warfare, a well- sharpened tool of population pacification, a vital but brutal instrument of sociological management. The industry’s highest profile performers, entertainers are intelligence directed assets, operatives, many of whom, including Keith Richards (AKA King Charles III) – SEE: Charles and Ted’s Not So Excellent Adventure – have been identified as hidden descendants of European royalty. Further investigation has uncovered that the other half of the dynamic rock and roll songwriting partnership known as the ‘glimmer twins’ – Rolling Stone Sir Mick Jagger – is in fact not only a hidden relation of the late Queen Elizabeth II – SEE:  Something Royally Wrong with Rally Gunman WitnessMSM Crooks Hooked Booked & Busted – but a royal Duke who for decades has effectively masqueraded as one of rock and popular music’s most renowned, iconic figures.

That is, until now.

Continue reading “Royal Minstrel Show Still Rolling”

Hollywood’s Made-for-Television ‘Terrorist’

Hollywood’s Made-for-Television ‘Terrorist’

In the hands of those who govern, a comprehensive understanding of the human mind, how it perceives, interprets experiences can become a most useful tool. In the hands of a tyrannical government with totalitarian designs, such knowledge, when used strategically, can be utilized as a weapon far more powerful, effective, and perhaps even more destructive than any gun, bomb, or missile. During the Roman imperial era, the ruling Caesars realized that, over the long term, a meticulously well-planned psychological warfare campaign was more effective and less costly in maintaining control over populations than having to rely upon the loyalties of occupying legions of armies.

In our modern era, this same sort of knowledge is still highly valued by those inhabiting the halls of governance.

When it comes to successfully executing psychological warfare upon population groups, those who govern today have distinct advantages over Roman emperors of old: exclusive access to the MSM (mainstream media) while social media platforms, acting as augmenting propaganda organs, are programmed to influence, manufacture public, political consensus.

Properly weaponized with a combination of verbal priming, neuro-linguistic programming, emotional, dramatic emphasis, and when exposure is broadened to maximum saturation levels while reinforced by repetition, the MSM’s prevailing ‘news’ narratives have the capability to not only capture and to hold the attentions of intended audiences, but to destabilize, immobilize, and to reshape, mold hearts and minds among the general public into any desired formulation.

Seized, galvanized by emotional hysteria, ridden with psychological demoralization, the public’s powers of rational discernment are compromised, disabled. Rendered psychologically, emotionally vulnerable, the public is left unequipped to comprehend that its thoughts, subsequently adopted behaviors have been sufficiently altered, transformed towards embracing the ulterior objectives of the MSM’s propagandists.

Lately, of course, the American public’s malleable attentions have been held captive, dominated by the ongoing ‘war’ in Gaza, Palestine, and with the accompanying ‘protests’ which have appeared to spring up on college campuses.

As was pointed out in a previously published article – Middle East’s War Simulation Spectacle – the ‘war’ alleged to be taking place in Gaza, Palestine is nothing more than a stage-managed, televised simulation, a psychological operation replete with actors and Hollywood-styled props, a grandly conceived smokescreen contrived to hide ulterior objectives which are, namely, the ongoing global implementation of the UN’s Agenda 2030/2050 and its seventeen ‘sustainability goals’ – goals which run counter to the specific economic interests of American citizens among the working and middle classes and to the interests of humanity in general. Added to more information which supports these findings, later, the true identity of a prime perpetrator in Gaza’s war charade shall be revealed.

Turns out, an alleged former leader of Mossad-created Palestinian ‘terror’ group Hamas – “Khaled Mashal” – is a renowned Hollywood actor in disguise.

Continue reading “Hollywood’s Made-for-Television ‘Terrorist’”

Errol Musk: ‘Dead’ Man Resurrected?

Errol Musk: ‘Dead’ Man Resurrected?

Certain individuals have a knack for remaining clandestine while simultaneously keeping a somewhat conspicuous public profile. A paradoxical scenario to be sure. To those among the general public, however, someone with the capability to execute such a deceptive trick would be considered tantamount to a magician. And yet again, such a feat may not too difficult for one in possession of great wealth, wealthy enough to gain some modicum of influential or even controlling interest in the MSM.

In addition, when one’s son is the ubiquitous cult of personality known as “Elon Musk”, chief executive of both Tesla, Space X and chief proprietor of X, the social media platform formerly known as Twitter, it may be that much easier, after faking one’s death, for a “dead” man to conceal one’s genuine identity with an appropriated pseudonym attached to an alternate persona. If successful at employing such deceptive tactics, one could conceivably hide among the public arena while operating in plain view.

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But why make the hypothesis that the man pictured in the image posted above may be “dead”?

Because it turns out that, upon more extensive investigation, “Errol Musk”, alleged to be the father of “Elon Musk” (AKA Prince Constantijn of the Netherlands) is a British royal in disguise, one who was recently alleged to have “died”. Though there isn’t much biographical information available on “Errol”, enough information remains extant to provide possible clues as to his true identity.

1.) Online biographies reveal that Errol’s mother was British, 2.) There exists a rather well-circulated, but dubious MSM promoted narrative which appears derived from a discarded B grade Hollywood action/thriller script treatment, the reported details of which allege “Errol Musk” fended off an attack from a gang of gun toting home invaders at his plush residence in South Africa.

Suspiciously, this particular widely circulated story is not only ridden with gematria coding, but the veracity of its narrative details – like most if not all such stories promoted by the MSM – crumble to utter dust under the weight of even the slightest scrutiny.

For example, despite being outnumbered and outgunned, this MSM promoted story claims that not only did “Errol” heroically emerge intact and alive, but he managed to gun down three of the seven alleged home invaders.

Continue reading “Errol Musk: ‘Dead’ Man Resurrected?”

Homeland Insecurity Directed by Hollywood

Homeland Insecurity Directed by Hollywood

Behind the facade, the lie contained in every media image, a deeper, darker truth remains hidden. Many of the personalities presented by the MSM and even the “alternative” media to the general public, especially regarding those occupying high-profile government positions, are not at all who they appear or claim to be.

Alejandro Mayorkas, current director of Homeland Security, which is merely a public relations front for CIA and the Jesuit Society of Jesus’s international intelligence octopus, claims to be the offspring of Cuban immigrants who escaped oppressive tyranny and came to the US for a better life. Mayorkas’s official biography reflects an all-too-familiar template which, through deeper investigation, has been observed time and again. This particular biographical template – of the Horatio Alger variety – not only smacks of propaganda, reflecting the shopworn and tattered myth of the “American Dream”, but of one belonging to and carefully crafted for a media generated fabricated character scheme portrayed by a well-known Hollywood actor.

This particular Hollywood actor – Bezos Bunk Now Completely Exposed – is a serial perpetrator of Post-Modern Reality Simulation and has also been identified as the live-action role player in portrayal of, yet another high-profile MSM promoted figure, former Amazon chief “Jeff Bezos”, whose own official biography nearly mirrors that of the current but embattled Homeland Security director “Alejandro Mayorkas”. A telltale sign that the narrative of Bezos’s biography may have been merely tweaked or customized by Jesuit-controlled CIA intelligence handlers to fit certain storyline specifications designed for “Alejandro Mayorkas”.

“Mayorkas” is a Jesuit-trained intelligence asset, educated at Loyola Marymount University, a private research institution located in Playa Vista, California which was named after the legendary mercenary warrior reputed to have been the founder of the military-styled Jesuit order in control of Vatican City at Rome.

Continue reading “Homeland Insecurity Directed by Hollywood”

NY Governor Hochul Full of Hokum

NY Governor Hochul Full of Hokum

Politics is not only the practiced art of deception, but also merely theater, a staged production cast with actors, each portraying especially tailored roles, trained to regurgitate the ideologically oriented talking points scripted for them. It matters not for which candidate one casts their vote, because “freedom of choice” through the process of voting is merely a sham, an illusion.

Though a majority of US citizens may still lend credence to this illusion through the opportunity to cast votes in legally sanctioned “elections”, the candidates, all of whom, whether “democrat” or “republican”, are carefully vetted then selected by the upper ranks of the masonic brotherhood to represent the interests of the Crown Templar/Swiss/Vatican/banking cartels. The process of voter registration merely entails a citizen’s surrendering of legal consent, a legal forfeiture of individual sovereignty to the tyrannical will of collective corporate governance consisting of those “elected” to perform business as private law merchants. Washington’s District of Columbia (AKA United States/Virginia Company), a private masonic principality governed by Admiralty Law/UCC (Uniform Commercial Code), is a corporate subsidiary of the Crown Temple and its four Courts of Inn – Middle, Inner Temple, Grey’s and Lincoln’s Inn – residing in the City of London (AKA one square mile).

SEE: How Crown Temple Rules America (part I)

How Crown Temple rules America (part II)

How Crown Temple rules America (part III)

How Crown Temple Rules America (Part IV)

SEE also: Florida’s Playboy Senator & Impostor Governor

DeSantis Deception Delves Much Deeper

The fifty states (crown estates) of America which fall under the legal governing jurisdiction of the United States (AKA Washington D.C./Virginia Company), including Alaska and Hawaii outside its contiguous boundaries, exist as commercial markets/banking districts which were created for the commercial exploitation of both human and natural resources. As explained in previous articles, the US constitution and all state (crown estate) constitutions are legal documents couched in the legal terms of private law enumerating citizen privileges which can be amended or even revoked at any time. While the subject of this article concerns the current “elected” governor of New York, “Kathy Hochul”, it is important to point out that all US states (crown estates), are represented by two governors. This duality of governance remains hidden in each state (estate) constitution, written in the terms of legalese as opposed to vernacular.

Kathy_Hochul_official_portrait (1)

There is a hidden governor for the de facto crown corporation – governor of ‘this’ state – and another – governor of ‘the’ state – which remains visible to the public. This duality of governance was codified in 1933 with the War Powers Act (UCC 1207 Title 50 stat. 319) which is not only still in effect today but entailed that the publicly traded bonds (AKA birth certificates) of the people were henceforth to be put up as collateral against the debt owed to the Federal Reserve, a central banking subsidiary of the City of London’s Crown Temple. According to Title 50 USC (United States Code), 12 stat 319, since 1861, the US corporate government has been legally operating under a state of war. The Middle Temple of City of London’s Crown Temple uses the crown estate of New York as a primary base of operation and New York’s political machine is completely controlled by the York Rite of Freemasonry. Therefore, as “elected” governor of ‘the’ state of New York, the job of “Kathy Hochul” is largely ceremonial. Her designated role is to act as official spokesperson on behalf of the de facto crown corporation.

This is why Hollywood actors fill such positions while contracted to perform under pseudonyms.

After all, as everyone is surely well aware, actors are most accomplished at playing scripted roles, staying in character, and taking direction from an executive producer. Though actors cannot be held legally accountable since, within the context of the arena of politics, they are contracted to perform as private law merchants under false names attached to fabricated character schemes and, from a legal standpoint, technically don’t exist, they can, however, due to unsatisfactory performance, stand to take criticism from the public and then subsequently “voted” out of office. But this is the precise trick which is played upon the public to keep the status quo maintained in favor of the US corporation’s owners. Meanwhile, the legal but unlawful status quo remains intact, and the City of London’s Crown Temple, the US corporate government, and their criminal cartel remains sovereign, inviolable, and untouched.

As shall soon be revealed, the Hollywood actress identified in portrayal of New York governor “Kathy Hochul” is indeed an accomplished professional thespian who, most notably, starred in West Wing, a once popular television series.

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Continue reading “NY Governor Hochul Full of Hokum”

Merv Griffin’s Menagerie of Misdeeds

Merv Griffin’s Menagerie of Misdeeds

Over the decades, since the advent of the television medium, mainstream television talk show productions and those cast as their hosts have both played important roles in so far as the application, execution of mass societal behavioral modification, social engineering, the manufacture of social, political consensus, and population perception management.

Quite unexpectedly, while performing research for a recently published article, one happened upon a pair of audio/visual excerpts from The Merv Griffin Show, a popular prime time Hollywood celebrity-oriented talk fest broadcasted during the eras of the 1970’s and early 1980’s. On the surface, though Merv’s show seemed rather dull, filled with the usual mundane and rather trivial talk show fare, nevertheless, selections of banter between Griffin and some of his selected guests proved rather interesting, if not wholly revealing.

Merv Griffin during Broadcasting & Cable Hall of Fame – November 7, 1994 at Marriott Marquis Hotel in New York City, New York, United States. (Photo by Ron Galella, Ltd./Ron Galella Collection via Getty Images)

In the first video excerpt encountered, Griffin was interviewing the “late” Sharon Tate, alleged to have been murdered by “Charles Manson” (AKA Hollywood executive David Geffen). The second excerpt – and perhaps just as intriguing – featured Griffin interviewing Barry and Robin Gibb, members of the Bee Gees, a formerly popular 1970’s disco era pop music group.

Below from L to R: Robin Gibb, Barry Gibb

As everyone shall shortly observe, in the first video excerpt, while Griffin and Tate are walking down Carnaby Street in London, England, they are suddenly approached by Hollywood actor Hugh O’Brien. An encounter which, although made to appear spontaneous, was undoubtedly well-planned, tightly scripted. It also became apparent that, concerning the affectations of social sophistication and airy demeanor demonstrated by the show’s host, Griffin was a highly skilled thespian putting on a performance. In addition, one developed an intuition that “Merv Griffin” seemed rather familiar.

After exchanging introductory formalities with O’Brien – at approximately 2:53 in the video posted directly above – Griffin makes an eye-opening quip concerning the CIA. Later, during the interview segment of Griffin’s program, Tate reveals that not only is her father employed by Army intelligence and is stationed in Vietnam, but that she was also born in Dallas, Texas. Of course, Dallas, Texas served as the movie set for the staged “assassination” of U.S. president “John Fitzgerald Kennedy” (AKA Hollywood actor Dennis Hopper) filmed by “Abraham Zapruder” (AKA Walt Disney). Tate also mentions her new film – Vampire Killers – which was directed by Roman Polanski who Tate would later wed. It turns out that “Merv Griffin” has connections to both “Roman Polanski” and to Dallas, Texas, specifically Dealy Plaza.

SEE: JFK Hoax Executed by Wizards of Oz

In fact, not only did further, deeper investigation reveal that the “late” “Merv Griffin” was a fabricated character scheme, a manufactured mainstream television persona behind which lurked a most familiar live-action role player, but, in the case of the Bee Gees, both Robin and Barry Gibb, respectively, have connections to legendary popular music groups – both to the Beatles and to Led Zeppelin. Continue reading “Merv Griffin’s Menagerie of Misdeeds”

Behold the Rockefeller’s Fake Pale Horse

Behold the Rockefeller’s Fake Pale Horse

Since the advent of the television/radio entertainment industry and the inception of the Jesuit/CIA-controlled Hollywood entertainment complex, the public has been systematically manipulated and on multiple levels.

In depth analysis indicates, there exists no variation in the nature of the delivered content between the MSM and the “alternative” media – except perhaps one. In the case of the latter, broadcasted narratives – psychological operations in disguise – targeted at particular audience demographics are found to be tweaked with alternatively stylized messaging then delivered wrapped in differently colored patinas of visual packaging.

Yet, the objective(s) remains the same.

Namely, through the utilization of Pavlovian psychological methodologies, group dynamics, manufactured consensus via Delphi technique, trance inducing Neuro Linguistic Programming/suggestive hypnosis, and semantic wizardry, to effectively produce preferred emotional reactions, mass behavioral modifications, manipulation of collective perception, and to create both cognitive confusion and demographic divisiveness, in so far that specifically targeted audience demographics, fallen prey while entrapped in a manufactured but fragmented socio-political ethos, can be better identified, targeted, pacified, and neutralized into ineffectualness with even greater precision, and eventually greeted to oppose one another.

The subject of this article – David Rockefeller Junior – is more than aware of these effective but sinister tactics of population manipulation, pacification, and control. 

David Rockefeller Junior is also aware that one of the most effective ways to successfully execute the covert objectives of psychological operations is to pose in disguise as a highly trained and skilled controlled-opposition agent. Further investigation confirms that David Rockefeller Junior, a powerful man on the world’s stage and heir to one of the largest private fortunes ever amassed, once disguised himself as one of the “alternative” media’s most revered and influential founding fathers, the “author” of a famous and best-selling tome entitled ‘Behold A Pale Horse’.

But before modifying himself into a persona which became known as a Goliath of the “alternative” media, David Rockefeller Junior was known to the American general public by pseudonyms attached to famous Hollywood-styled fabricated character schemes.

One which became, for a time at least, a successful Hollywood character actor, an obese but grandiosely styled pop/rock singer, and yet another who starred as a popular comedic performer and who was also a “late” cast member of Saturday Night Live, a popular mainstay of American television and popular culture which, to this day, is still broadcasted from thirty Rockefeller Center in New York City.

But wait, there’s more.

Turns out, David Rockefeller Junior’s father, the late David Rockefeller Senior, also once starred as the host actor disguised behind the manufactured public persona of another giant of the “alternative” media. 

Continue reading “Behold the Rockefeller’s Fake Pale Horse”

Another Fake Talk Show Host Named ‘Phil’

Another Fake Talk Show Host Named ‘Phil’

Though many who frequent this site may have read about the results of the investigation into “Doctor Phil McGraw” who was identified as a fabricated character scheme, he wasn’t the only talk show host named ‘Phil’ with a hidden identity.

SEE: Del’s Big Tree Bears Rotten Fruit

Before the vivid persona of Oprah Winfrey became the predominant figure on the daytime television talk show circuit, there was another with whom Oprah credits the possibility for her meteoric success – “Phil Donahue”.

From the beginning of his television career, the popular television persona who became known to the American public as “Phil Donahue” carved out a rather sizable and dominant niche on what was up until then, during the era of the 1980’s, an almost barren daytime television landscape populated by mindless game shows and melodramatic soap operas.

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Even after his emergence on the American television airwaves, the format of Donahue’s talk show contrasted sharply with that of his would-be competitors. Instead of founding a platform for inane discussions concerning crass popular culture or a shallow promotional showcase for Hollywood celebrities, “Phil Donahue” showed a penchant for tackling issues which appeared to be of social or political import. Issues which sometimes were considered controversial or even taboo by targeted audiences and network executives alike.

As shown in the video clip at the link posted below, in 1985, decades before the Covid-19 “pandemic”, “Phil Donahue” invited Doctor Robert S. Mendelsohn – who at the time was considered to be a most controversial figure among his colleagues in the medical profession – onto his show to discuss the clear and present dangers to the public’s health posed by vaccinations.

https://archive.org/details/phil-donahue-1985

Though today, mainstream talk show hosts wouldn’t dare allow such contrarian views to be aired, at least in this regard, “Phil Donahue” proved to be well ahead of his time and his would-be competitors. But did this penchant for exploring controversial topics emanate from a deeply held conviction? Or was “Phil Donahue” merely playing out the role he was scripted to portray?

Upon further investigation, the latter turned out to be the case.

“Phil Donahue” was a fabricated character scheme. A carefully tailored image designed to titillate and entertain a particular targeted audience of daytime television consumers. After all, as any television executive knows, controversy is a marketable commodity, profitable to not only the network’s bottom line, but to the network’s advertisers. But there is much more to the story of “Phil Donahue” which won’t be found in “official biographies”.

Before becoming daytime television’s premiere talk show host, “Phil Donahue” played the role of a villain in one of American history’s most tragic narratives – the “assassination” of an American president. Not only that, but the Hollywood actor knighted by the British royal family who has been identified as his host actor (live-action role player) has been known by a slew of famous pseudonyms.

Continue reading “Another Fake Talk Show Host Named ‘Phil’”